Journal

Showing posts with label how the marquis got his coat back. Show all posts
Showing posts with label how the marquis got his coat back. Show all posts
Monday, September 26, 2016

On Dedications & Radio Plays

I finished the last of the last of the read-throughs of Norse Mythology this morning. I caught one paragraph that had somehow duplicated itself, fixed a couple of clunky sentences, and changed the word stone to iron somewhere I had thought one thing and typed another. I checked over the glossary

And then there was one last thing.

Dedicating books is an odd process, combining whim and whimsy and debts owed and gods to be placated. Mostly you ponder who would be made happiest by having this book dedicated to them, and what the most appropriate person would be for the book you have written.

But sometimes you do not have to ponder. Sometimes it's nice and obvious.

I've dedicated Norse Mythology to someone who wasn't even around a couple of days ago, and is now here, and whom I haven't yet met and held and hugged and sung songs to (but I will, soon). My first grandchild, Everett, born to my oldest son Michael and his wife Courtney (Courtney obviously did all the hard work) about 48 hours ago.

I get a grandson. Holly and Maddy and Ash get a nephew (and Ash gets someone to play with as he grows up). I am a proud and happy grandfather.






Norse Mythology is Everett's book.



...



This is a photograph of the cast - almost all of them, there are some secrets and surprises - of the two part BBC Radio Four adaptation of STARDUST that's coming out in December. (Here's the cast list: http://www.bbc.co.uk/programmes/articles/1CJhmxQCq99GBn26FLh7qnk/stardust-whos-who)

The BBC is holding a competition for original STARDUST art for UK residents -- details at http://www.bbc.co.uk/programmes/articles/4m9W7cDHhnCDrBlBrkmL2YW/competition-draw-neil-gaimans-stardust-for-radio-4

You will not need to be a UK resident to listen to it, however. You can listen to it anywhere in the whole wide world, via the magic of the Internet, or the BBC iPlayer app, for a month after it broadcasts.

That's not the only Radio Four adaptation of one of my stories happening this year, though. There's also the (smaller) cast of How the Marquis Got His Coat Back:


and yes, I'm in there. I got to be in the room, acting with Bernard Cribbins and Adrian Lester and Paterson Joseph and Don Warrington and everyone and IT WAS AMAZING.

How the Marquis Got His Coat Back will be broadcast on BBC Radio 4 in early November (I think).

...

You can get registered to vote in the US via text messages: https://www.hello.vote/ has the details. Get registered. Vote. Your vote actually matters. Vote.

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Wednesday, June 15, 2016

Prelude to Softly and Silently Vanishing Away

My plans for the rest of the year are basically, finish the last Good Omens TV script, and then to write a novel.

I'm doing one TV interview for THE VIEW FROM THE CHEAP SEATS.

I'm making a couple of mysterious appearances for the American Gods tv series.

I'm not going to entirely vanish from social media, but probably, pretty much, I'll be gone, and living in a book which currently doesn't exist except in weird notes and ideas and things in my head.

As a general rule, when I leave social media, I blog a bit more. So keep half an eye on this blog. There are some amazing things coming out this year, and I would be an idiot if I didn't let you all know about them, so you will...

For example, what on earth is this photo about?


Who are these people? And what does it have to do with Neverwhere?

All the BBC website tells us is 

...we’re thrilled that, later this year, led by the ever-dangerous Marquis de Carabas, we’ll be taking a short trip back to the land of London Below.
We're expecting high adventure and a spine-tingling ride, with a mix of brand new characters and old favourites.
...which is definitely interesting. And will need to be announced. And so will the amazing new Chris Riddell illustrated edition of Neverwhere from the UK: I've never seen anything like it before.

This is a photograph of Chris and the cover of the book, wrapped around a completely different book, to make it look like the actual book.





And then there's the wonderful secret thing we are doing with the US paperback covers, which is making me very happy indeed. And you'll learn about them here, and I'm sure I'll put that up on Facebook and Twitter too.

And then there's the announcement of the book I finished last month... That's happening soon. It's exciting. I'll announce that.

So I'm basically around for another week. 

Expect a vague vanishing. And an eventual return. And interruptions for information.

But mostly I'm planning to be low profile online and living in my head in order to report back, from dark strange places, the remarkable doings of some most peculiar people.



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Thursday, October 15, 2015

TWO BABY PHOTOS! (And, oddly enough, some news too.)

I'm typing this in an airport lounge in Cleveland. It's a 'pay money or use a fancy credit card to get in' lounge, and I have a fancy credit card I never actually use in the back of my wallet, so hurrah, free internet and a cup of tea.

Last night was my first night away from the baby and Amanda since the birth. I spoke at an event at the University put on by the Cuyahoga County Public Library Foundation and Case Western Reserve University. I enjoyed talking, and managed not to get too wistful about missing the baby.

This morning felt very strange: I woke up in a kind of panic in a hotel bed, wondering how I had slept so long and why I hadn't changed the baby in the night and oh my god where was the baby oh right I'm in Cleveland.


This is what he looks like when he wakes up.



Now I'm flying back to them.

We've spent the last week in the sunshine seeing aged relatives and being on holiday. Real life (and chilly Autumn in the NorthEast) starts on Monday.

This is Anthony. We call him Ash for short. He wears a hat these days.


(I haven't received a full report on the Humble Bundle yet. Will post it here when I do.)

BUT THERE IS NEWS:

On November 9th, I'll be in Brooklyn, in conversation with Junot Diaz, talking about Sandman and such, and afterwards there will be the only Sandman Overture hardcover signing. (The book is officially released on November 10th.)

Tickets are free, but you must RSVP: https://neilgaiman.splashthat.com/

On Nov 7th I'll be in Conversation with Armistead Maupin at Bard. This is the fourth of the Bard talks I've been doing (Art Spiegelman, Audrey Niffenegger and Laurie Anderson were the first three).

Join a public conversation between Neil Gaiman, Bard’s Professor in the Arts, and Armistead Maupin, the best-selling writer and activist. Maupin is the author of 11 novels, including the nine-volume Tales of the City series, three of which were adapted for television with Olympia Dukakis and Laura Linney. He and Gaiman will discuss their heroes Charles Dickens and Christopher Isherwood, the craft of storytelling, and many other subjects. Part of a regular series of conversations at the Fisher Center hosted by Professor Gaiman.
If you are in the area, you should come. Tickets and info at  http://fishercenter.bard.edu/calendar/event.php?eid=129331.

Me and Armistead in San Francisco in the summer. 


There are a handful of other appearances I'll be doing before I retire from the appearances and talks thing at the end of November and go back to being a full time writer for a while:

On Friday Oct 23rd, I'll be at the West Virginia Book Festival, in Charleston, WV.
http://wvbookfestival.org/

On Friday the 13th of November I'll be in Texas. Will there be masked figures with machetes, or will it be a local chainsaw massacre? Probably neither, given that I'm talking in Austin, reading stories and answering questions and generally having too much fun on stage. It's a big Auditorium, and there are still a few hundred seats left, but they are going fast. http://thelongcenter.org/event/neil-gaiman/

On Saturday the 14th of November I'm doing the same thing, more or less, only with different words, in Long Beach, CA. (There are about 20 seats left, from what I can see: http://www.carpenterarts.org/2015-2016/neil-gaiman.html )

THE SLEEPER AND THE SPINDLE came out in the US and (much to my surprise) went in at #1 on the NYT YA bestseller list. It's now in its 3rd week on the list, and is a really pretty book.

Hayley Campbell's gorgeous book of everything you ever wanted to know about me is coming out in paperback soon, with a faux Victorian cover that doesn't have a picture of me on it. Too many people thought the hardback was just drawings of me or by me or something, so they gave it a title that clarifies what it is and why.

It's called The Art of Neil Gaiman: The Story of a Writer with Handwritten Notes, Drawings, Manuscripts, and Personal Photographs. (link.)





The UK gets a new hardback of GOOD OMENS, a beautiful new cover to THE OCEAN AT THE END OF THE LANE, and also a (physically) tiny edition of HOW THE MARQUIS GOT HIS COAT BACK, to give people in the UK who have owned the author's preferred edition of Neverwhere for a decade parity with the US, where they only just got it but it had the Marquis story in the back.

I got to see the new UK covers for OCEAN and MARQUIS on Twitter this morning and take joy in posting them here:



And on a final note, the last part of Sandman Overture came out, and people have read it, and the reviews are very kind. I've seen https://comicspectrum.wordpress.com/2015/10/12/sandman-overture-6-dcvertigo/ and http://www.ign.com/articles/2015/09/30/the-sandman-overture-6-review
http://www.comicosity.com/review-sandman-overture-6/ and http://www.comicbookresources.com/comic-review/the-sandman-overture-6-vertigo and when I read them I felt like people actually understood what JHW3 and I were trying to do, and that we'd pulled it off.

It's a strange feeling, revisiting a story and characters you created almost thirty years earlier, and trying to add layers, so that if someone rereads the original story they will see events and characters they thought they knew as well as they knew themselves, in a different light.

I made it back by sunset.




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