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Salı, Nisan 02, 2013

OCEAN AT THE END OF THE LANE US TOUR DATES

Starred reviews, in the journals that publish reviews before books come out, are good. 

Publishers Weekly just gave THE OCEAN AT THE END OF THE LANE a starred review. It's a bit Spoilery, so I'm going to put a few sections of it white-on-white. Block to read.


★ The Ocean at the End of the
Lane
Neil Gaiman.William Morrow,$25.99 (192p)
ISBN 978-0-06-225565-5
“Childhood memories are sometimes
covered and obscured beneath the things
that come later... but they are never lost
for good”—and the most grim of those
memories, no matter how faint, can haunt
one forever, as they do the anonymous
narrator of Gaiman’s subtle and splendid
modern myth. The protagonist, an artist,
returns to his childhood home in the
English countryside to recover his memory of
events that nearly destroyed him and
his family when he was seven. The suicide
of a stranger opened the way for a deadly
spirit... who disguised herself as a housekeeper, 
won over the boy’s sister and
mother, seduced his father, and threatened
the boy if he told anyone the truth. He
had allies—a warm and welcoming family
of witches at the old farm up the road...

but defeating this evil demanded a sacrifice 
he was not prepared for. Gaiman
(Anansi Boys) has crafted a fresh story of
magic, humanity, loyalty, and memories
“waiting at the edges of things,” where
lost innocence can still be restored as long
as someone is willing to bear the cost.

The Kirkus review, also starred, said (spoilery bit also whited out):


THE OCEAN AT THE END OF THE LANE [STARRED REVIEW!]
Author: Neil Gaiman

Publisher:
Morrow/HarperCollins
Pages: 192
Price ( Hardcover ): $25.99
Publication Date: June 18, 2013
ISBN ( Hardcover ): 978-0-06-225565-5
Category: Fiction

From one of the great masters of modern speculative fiction: Gaiman’s first novel for adults since Anansi Boys (2005).

An unnamed protagonist and narrator returns to his Sussex roots to attend a funeral. Although his boyhood dwelling no longer stands, at the end of the road lies the Hempstock farm, to which he’s drawn without knowing why. Memories begin to flow. The Hempstocks were an odd family, with 11-year-old Lettie’s claim that their duckpond was an ocean, her mother’s miraculous cooking and her grandmother’s reminiscences of the Big Bang; all three seemed much older than their apparent ages. Forty years ago, the family lodger, a South African opal miner, gambled his fortune away, then committed suicide in the Hempstock farmyard. Something dark, deadly and far distant heard his dying lament and swooped closer. As the past becomes the present, Lettie takes the boy’s hand and confidently sets off through unearthly landscapes to deal with the menace; but he’s only 7 years old, and he makes a mistake... Instead of banishing the predator, he brings it back into the familiar world, where it reappears as his family’s new housekeeper, the demonic Ursula Monkton. Terrified, he tries to flee back to the Hempstocks, but Ursula easily keeps him confined as she cruelly manipulates and torments his parents and sister. Despite his determination and well-developed sense of right and wrong, he’s also a scared little boy drawn into adventures beyond his understanding, forced into terrible mistakes through innocence. Yet, guided by a female wisdom beyond his ability to comprehend, he may one day find redemption.
Poignant and heartbreaking, eloquent and frightening, impeccably rendered, it’s a fable that reminds us how our lives are shaped by childhood experiences, what we gain from them and the price we pay.


And finally, Booklist gave us a starred review. And there aren't any spoilers to remove...


The Ocean at the End of the Lane.






In Gaiman’s first novel for adults since Anansi Boys(2005), the never-named fiftyish narrator is back in his childhood homeland, rural Sussex, England, where he’s just delivered the eulogy at a funeral. With “an hour or so to kill” afterward, he drives about—aimlessly, he thinks—until he’s at the crucible of his consciousness: a farmhouse with a duck pond. There, when he was seven, lived the Hempstocks, a crone, a housewife, and an 11-year-old girl, who said they were grandmother, mother, and daughter. Now, he finds the crone and, eventually, the housewife—the same ones, unchanged—while the girl is still gone, just as she was at the end of the childhood adventure he recalls in a reverie that lasts all afternoon. He remembers how he became the vector for a malign force attempting to invade and waste our world. The three Hempstocks are guardians, from time almost immemorial, situated to block such forces and, should that fail, fight them. Gaiman mines mythological typology—the three-fold goddess, the water of life (the pond, actually an ocean)—and his own childhood milieu to build the cosmology and the theater of a story he tells more gracefully than any he’s told since Stardust(1999). And don’t worry about that “for adults” designation: it’s a matter of tone. This lovely yarn is good for anyone who can read it.

HIGH-DEMAND BACKSTORY: That this is the popular author’s first book for adults in eight years pretty much sums up why this will be in demand.








Those are the reviews we've got so far. I think it's probably my best book, which is why I am very nervous about it, which is why I really want to do whatever I can to make sure that as many people as possible read it.

The William Morrow press office just sent me the dates and locations of the OCEAN AT THE END OF THE LANE tour.

This may be modified slightly as we go -- I'll add any additional information (there's nothing on ticket prices here, for example -- most stores will count your ticket cost toward the cost of the book.)

The current plan is that I'll sign any copies of The Ocean at the End of the Lane for you, and one or two other things, depending on lines and numbers. This may change.

I'll also plan to sign as much as possible of what the bookstore has of mine when I get to each new shop, including many copies of OCEAN. So you can watch me read and do a Q&A and then take off if you do not want to wait.

Many shops will have leftover signed books after the signing, or will take preorders for a book to be signed and sent out. I'll sign all the books that each store needs signed, but there's no guarantee that I'll be able to personalise phone/internet orders.

And yes, this will be my last US book-signing tour. And I'm going to try and do as much as possible of it in a bus, mostly so I can get more sleep than I did on the Anansi Boys tour.

Feel very free to spread the information around. (UK & Canada & the rest of the world signing information is not in this post.)




Neil Gaiman/OCEAN AT THE END OF THE LANE/Full Ticket Info Events

Tuesday, June 18/BROOKLYN, NY
Greenlight Bookstore w/ Brooklyn Academy of Music (BAM) @ Howard Gilman Opera House
7:00 PM
30 Lafayette Avenue
Brooklyn, NY  11217

Twitter:
@greenlightbklyn
@BAM_Brooklyn
Facebook:
Website:

Wednesday, June 19/NEW YORK, NY
Symphony Space “Thalia Book Club Series”
7:00 PM
2537 Broadway (@ 95th Street)
New York, NY  10025

Box Office: 212-864-5400
Twitter:
@SymphonySpace
@SelectedShorts
Facebook: 
Website:

Thursday, June 20/SARATOGA SPRINGS, NY
Northshire Bookstore Saratoga @ Saratoga City Center
6:00 PM
522 Broadway
Saratoga Springs, NY  12866

Box Office: Tickets will be sold on the store’s website, or in the VT store (4869 Main Street Manchester Center, VT 05255)
Twitter: @NorthshireBooks

Friday, June 21/WASHINGTON, DC
Politics & Prose Bookstore @ George Washington University Lisner Auditorium
6:00 PM
730 21st Street, NW
Washington, DC  20052

Twitter: @Politics_Prose

Saturday, June 22/DECATUR, GA
Eagle Eye Book Shop @ Agnes Scott College Presser Hall
7:00 PM
141 East College Avenue
Decatur, GA  30030

Twitter: @eagleeyebooks

Sunday, June 23/CORAL GABLES, FL
Books & Books @ Temple Judea
2:00 PM
5500 Granada Boulevard
Coral Gables, FL  33146

Twitter: @booksandbooks
Instagram: Booksandbooks

Monday, June 24/DALLAS, TX
Dallas Museum of Art @ Majestic Theatre
7:00 PM
1925 Elm Street
Dallas, TX  75201

Box Office: 214-922-1818 or visit tickets.dma.org
Twitter: @DallasMuseumArt






Tuesday, June 25/DENVER, CO
Tattered Cover Book Store (LoDo)
6:00 PM
1628 16th Street
Denver, CO  80202

Twitter: @tatteredcover

Wednesday, June 26/PHOENIX, AZ
Changing Hands Bookstore @ South Mountain High School Auditorium
6:00 PM
5401 South 7th Street
Phoenix, AZ  85040

Twitter: @changinghands

Thursday, June 27/LOS ANGELES, CA
Live Talks Los Angeles w/ Barnes & Noble @ Alex Theatre
8:00 PM
216 North Brand Boulevard
Glendale, CA  91203

Twitter: @livetalksla

Friday, June 28/SAN FRANCISCO, CA
The Booksmith @ American Conservatory Theater (ACT) Geary Theater
7:00 PM
415 Geary Street
San Francisco, CA  94102

Website: www.booksmith.com  






Saturday, June 29/PORTLAND, OR
Powell’s Books @ Crystal Ballroom
3:00 PM
1332 West Burnside Street
Portland, OR  97209

Twitter: @Powells

Tuesday, July 2/SEATTLE, WA
University Book Store w/ Clarion West Writers Workshop @ Town Hall Seattle
7:00 PM
1119 8th Avenue
Seattle, WA  98101

Twitter:
@ubs_events
@ClarionWest
Facebook:
Website:

Saturday, July 6/SANTA ROSA, CA
Copperfield’s Books @ Santa Rosa Theater
8:00 PM
1235 Mendocino Avenue
Santa Rosa, CA  95401

Twitter: @Copperfields










Sunday, July 7/ANN ARBOR, MI
Nicola’s Books @ Michigan Theater
6:00 PM
603 East Liberty Street
Ann Arbor, MI  48104

Box Office: http://www.michtheater.org/   

Monday, July 8/BLOOMINGTON, MN
Barnes & Noble of Edina @ Jefferson High School Auditorium
6:00 PM
4001 West 102nd Street
Bloomington, MN  55437


Tuesday, July 9/CHICAGO, IL
Unabridged Bookstore @ Music Box Theater
7:00 PM
3733 North Southport Avenue
Chicago, IL  60613

Twitter: @unabridgedbooks

Wednesday, July 10/NASHVILLE, TN
Parnassus Books @ Tennessee Performing Arts Council’s War Memorial Auditorium
6:00 PM
301 6th Avenue North
Nashville, TN  37243

Twitter: @parnassusbooks1






Thursday, July 11/LEXINGTON, KY
Joseph-Beth Booksellers @ Grand Reserve Events Center
7:00 PM
903 Manchester Street
Lexington, KY  40508

Tickets: purchase at Joseph-Beth Lexington 800 248 6849 or 859 273 2911.
Twitter: @josephbethlex

Saturday, July 13/CAMBRIDGE, MA
Porter Square Books @ First Parish Church
6:30 PM
1446 Massachusetts Avenue
Cambridge, MA  02138

Twitter: @PorterSqBooks


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Cuma, Kasım 05, 2010

A gallimaufry.

Last year, the daughter of the winner of the Moth auction of "afternoon tea with Neil Gaiman" met me for afternoon tea, and it all went a bit wrong.

The winner was the mother of a very nice young lady, and she had paid $4,400 for her daughter to have tea with me (all the money goes to support The Moth, which is something I love and care about: people telling true stories about their lives. Check out their podcast). Unfortunately, when the nice young lady and I went to the tea place they explained that they'd never heard of us, and for that matter they didn't even serve tea, and it all went so wrong that I took the young lady in question up to DC Comics (she had told me that she loved comics, Vertigo in particular, and wanted to edit comics when she graduated) and then DC Publisher Paul Levitz, who was passing by, gave her an hour's masterclass in matters editorial and said something about a summer internship.

I saw her at the signing for the Year's Best American Comics last month and the young lady told me that she'd just done a summer's internship at DC Comics, and loved it, and that the failed tea had been a wonderful thing better than any actual tea could possibly have been, and she was incredibly happy and grateful..

I cannot guarantee you that the afternoon tea with me this year will go anywhere nearly as wrong as that. But the Moth are at it again. Also, you could be an "area man or woman" in the Onion.

https://www.biddingforgood.com/auction/item/Browse.action?auctionId=120612926

...

I don't do much journalism any more, and I do even less book reviewing (I think the last book I reviewed was the Annotated Grimm's Fairytales for the New York Times, six years ago), but if I'm not reviewing at all I feel guilty, as if I am no longer being part of the cultural dialogue, so I just reviewed Stephen King's Full Dark, No Stars for the Guardian: http://www.guardian.co.uk/books/2010/nov/05/full-dark-stephen-king-review.

I'm happy to say that I liked it.

....

I turn fifty on Wednesday. Ivy Ratafia gets in there early, with a birthday LJ post for me.

And I am putting it up here because Ivy answers one of the great questions of the universe here, viz. Which were the nine true panels in this two-page comic? In 17 years, no-one has been able to guess it correctly.

You should probably read the comic first before you read Ivy's explanation. It comes from a 1993 "Roast" comic done for the Chicago Comic Convention, and was drawn by Scott McCloud and written by Scott and Ivy.

Read what Ivy has to say at: http://ivy-rat.livejournal.com/104712.html

...

I really don't do much journalism, and I'm amused to see that the only pieces I've done in so long are both being published-on-the-web on the same day. Since I typed that first paragraph, SPIN MAGAZINE just posted an article I wrote for them yesterday.

They asked me to review the Dresden Dolls Hallowe'en show.

I'm not sure that that was quite what I gave them, although it's that as well. I'm happy with it, and I'm not normally happy with my non-fiction writing. It's up at http://www.spin.com/articles/neil-gaiman-amanda-palmer-dresden-dolls

People like it, and I'm glad that they do.

...

And finally, All Hallow's Read appears, at least anecdotally, to have been a huge success. It's not too early to start thinking about what we ought to do next year. The website is up at http://www.allhallowsread.com/ - it's primitive, as it was thrown up in hours two days before Hallowe'en. I'd love to crowdsource this more - what kinds of things would people like to see on the website? What kinds of things would you like to see in real life? Posters? Suggestions? Should we enlist bookshops or publishers or libraries or all of the above? Should we start an online group?

And what did you do (or give, or receive) for All Hallows Read this year that you'd like to pass on to the world?

(I gave Joan of Dark a copy of Shirley Jackson's The Haunting of Hill House, and I gave random strangers copies of Carrie.)

Use the "Leave a reply" form at the bottom of any of the AHR website pages. We'll start to plan next year's give-a-scary-book festival together.

...

Right. Now I'm off to the (very small) bonfire.

Here's a photo of Cabal today, when we went down to winterise the beehives.


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Cuma, Ekim 17, 2008

Guacamole-headed thoughts...

I remain utterly mush-headed, but should have completely recovered in time for the UK tour and to do it all over again.

Just a quick post about http://www.npr.org/templates/story/story.php?storyId=95790778, which is a really lovely review and link to an All Things Considered piece on me, beekeeping, Doctor Who, and (mostly) The Graveyard Book. (And while I was looking, I ran into this Stephin Merritt interview and songs too: http://www.npr.org/templates/story/story.php?storyId=94926812)

There's a Graveyard Book review in the San Francisco Chronicle:
Although aimed primarily at younger readers, "The Graveyard Book" has enough heft to keep adults thoroughly engaged. The model for the story is, of course, "The Jungle Books," but Gaiman pays homage to Ray Bradbury, with perhaps a salute to Charles Addams tossed in for good measure. Bod's coming of age has its moments of wonder, terror and tenderness, and Gaiman hits exactly the right notes every time.
and one in the Washington Post which concludes,
Like a bite of dark Halloween chocolate, this novel proves rich, bittersweet and very satisfying.
Barnes and Noble have pulled out an interview I did with them a few years ago, when Anansi Boys was published. It contains some pretty decent answers to some frequently asked questions.

There's a terrific account of a journey to the Coraline studios at http://community.livejournal.com/ohnotheydidnt/28623270.html

Brad Meltzer in the White House. And Lincoln. And me.

I think I'm starting to get rather fond of The Middleman. (There are a bunch of them on the Tivo, and they're playing in the background as I've been working this evening.) The vampire glove puppets made me go "I wish I'd thought of that." (I did a demonic serial-killing glove puppet a long time ago, reprinted in the Golden-Wagner-Bissette Prince of Stories. But vampire glove puppets...)

I have a ridiculous question - inquiring minds! - based on your point today about using Montblanc's "dried-blood-coloured Bordeaux" to sign your way across the US. Is it in any sense possible to take a bottle of fountain pen ink through security?!? I am imagining you do not check luggage, but how are you able to get away with this miracle of fluid-possession? Inky toiletries bag?!? I suppose it must be OK if the bottle holds less than 2 oz. of fluid...

I loved The Graveyard Book - it reminds me, too, I must reread Kipling, my childhood favorite was "Puck of Pook's Hill" which is a most magical book also!

best wishes,
Jenny Davidson


It's not a ridiculous question at all. You can put ink bottles in the clear quart bag for liquids (as long as it's less than 100ml). Or you can put bottles of ink in your shoulder bag and forget to put them into the clear quart bag, and discover that nobody ever seems to notice them, probably because the shapes don't look like bottles when they go through x-ray machines. (Sometimes you may have to explain to security people at airports what ink is and why it's in heavy glass bottles.) You can also carry ink cartridges.

I cheated on the last tour, though, and handed the ink bottle to Elyse Marshall, from Harper Collins and she always produced it when I needed it.

Have you seen this website? Wow.

http://www.suck.uk.com/product.php?rangeID=103&rangeNew=1

Check out the Cat Playhouses. And the Terrorist Tea Pot.

Stephanie.

That is the best Terrorist Tea Pot I've ever seen.

Hi Neil,

Just thought you might be interested in the Graveyard Book pumpkin my girlfriend and I made. We modeled it after the book cover and included our very own ghoul gate. It took a while but was definitely worth it. I put up the pictures on my blog, here:

http://decaffeinating.blogspot.com/2008/10/graveyard-pumpkin.html

Happy early Halloween and I hope you like the pumpkin! And thanks so much for writing The Graveyard Book in the first place.

Brent


And that is the best Graveyard Book pumpkin I've seen.

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Cumartesi, Temmuz 14, 2001

American Gods Blog, Post 126

Got up this morning at 6.50 to head off to Norwich (an acronym, Alan Bennett once wrote in a comedic sketch, for "Knickers off ready when I come home") for an 11.00am signing. If this seems a bit of an early start to you, remember that Norwich is the only city that Lucy Ramsey ever got Terry Pratchett to a signing to late, and that she wasn’t ever going to let it happen again.

It’s 10.00 am now, and so we’re cruising through Norwich looking for breakfast...

...there, and by the magic of the new paragraph break, we had breakfast and then I did a signing in Ottakar’s of Norwich – nice people (I always say that, don’t I? Well, it’s always been true of the people at the signings, and on this tour it’s been true of all the people who run the shops. It’s not always like that – every author will tell you horror stories of irritable store staff who view the author’s presence in the store as an unaccountable intrusion. Normally in these cases they also didn’t ever bother to do anything to tell anyone you were coming to their store so you’re not just a bother, but a demoralised bother because nobody came. My last one of those -- I’d managed to forget it until I was reminded by Lucy -- was at W.H. Smith’s in Brighton in 1999.).

Was hoping for review coverage of American Gods today, and didn’t see any (most of the review coverage I saw was for children’s books, inspired by yesterday’s Carnegie Award). On the other hand, we’re in at #9 in the Independent book list; while the Times has a list of the fastest selling books, and we came in at #4 as the second fastest-selling hardback fiction book in the UK (after Tony Parsons’ new novel) which has to be a good thing, as it means we’re selling through the people in bookshops and through word of mouth.

So, now in car en route to Canterbury....

...Canterbury signing was lovely. A great one to end the UK signing tour with. Saw Dave McKean and family, and just got back to the hotel (at 2.00 a.m.).

And that was today, except that I also answered a nice e-mail from an Entertainment Weekly journalist about this journal, and failed to answer an e-mail from a New York Times journalist about this journal (tomorrow, I suppose).

Oh, and during the Q&A someone asked if I really was existing on nothing but sushi, and I had to admit that my peregrinations around the UK had been practically Sushi free. F’r example, tonight I ate – before the signing – at the Café Des Amis in Canterbury, which is Dave Mckean’s favourite Mexican restaurant. Sometimes he just goes there with his notebook and sketches or thinks, and he wound up designing and doing all the art on their menu and notecards and stuff, because he wanted it to look nice.

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Cumartesi, Temmuz 07, 2001

American Gods Blog, Post 115

Entertainment Weekly reviews's out! And I hear the House on the Rock photo is good.

Not impressed by the review though -- shallow reading, and the reviewer seemed to have missed a number of things (eg. Messrs Stone, Wood, Town et al aren't gods of any kind -- that's made about as clear in the text as anything can be) and he manages not only to give away the end but to demonstrate that he hasn't understood it either. Lots of nice quotes of the kind one can stick on a dust-jacket, and the ranking on Amazon's soared since it came out, which means it's done its job of telling people the book's out there.

GRADE: C-

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Cumartesi, Haziran 16, 2001

American Gods Blog, Post 88

The Message board on neilgaiman.com should be working on Monday Morning.

Today's Mail brought a Dutch contract for American Gods (I'm always faintly pleased when the Dutch buy the rights to a book, as they all speak terrific English and import UK or US editions anyway).

Therese Littleton's review of American Gods is now up at Amazon.com ... someone else who understood it.

I'm on tour from tomorrow morning, for six weeks....

... wish me luck.

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Çarşamba, Haziran 13, 2001

American Gods Blog, Post 81

I got a lovely e-mail today from a friend in the UK who'd read American Gods (actually, I got quite a few lovely e-mails today from people who'd read American Gods). This was a lovely letter from someone who'd just devoured it and really enjoyed it (to the point where she seemed almost embarrassed about it -- she knew how long it had taken me to write, and how hard some of it had been to get to work, and she compared herself to someone who just finished off a huge meal that a chef had taken a long time and pains to compare.) I assured her that the main thing for me is just that people enjoy it.

This is from my reply to her:

Remember to tell people about it... I figure word of mouth is my biggest ally
on this one... Try and work it into casual conversation:

"Ooh, I'll have five of those Granny Smiths. And American Gods is a really good book."
"Of course I'd love to write an article for you on 'What the Modern Woman Really Wants'. Read American Gods. When's the deadline?"
"I'm saying that you shouldn't be charging me for a letter telling me that I have an overdraft when the account was actually well in the black. By the way, there's a brilliant book called American Gods you may want to check out."

Which, on a marginally more serious note, seeing the book will be out in five days, and some of you will actually get a chance to read it yourselves, is really my only request to any of you. If you like the book, tell people. Spread the word.

I am reminded of Geoff Ryman's lovely novel 253, which includes a woman whose job is to ride the tube train under london reading a paperback book with delight, occasionally exclaiming aloud on the brilliance and wonderfulness of the book she's reading. Cheap advertising.

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Pazar, Haziran 10, 2001

American Gods Blog, Post 78

Spent a good part of yesterday trying to compile a bibliography of Books Consulted for American Gods for the not-yet-online neilgaiman.com -- a sort of astonishingly incomplete bibliography, because otherwise I would have had to try and catalogue half a library, so I'm trying just to list the books in the boxes I'd put in the boot of the car (that's the trunk, for americans) when I drove down to Florida to work on the novel, and the ones I tried to make sure were on the shelves in the cabin as I wrote the rest of the book... and the ones I filled my suitcase with when I went to spend two weeks writing in Las Vegas (an anecdote, it occurs to me, that I've not mentioned yet on this blogger. Oh well. Feel free to ask me about it if you are at one of the Q & A sessions between the reading and the signing.) I got down a lot of the myth and folklore books. Lots of mini-capsule reviews.Cannot for the life of me find the box of books on confidence tricks or coin magic.

.....

http://www.writerswrite.com/journal/jun01/fansf.htm has a review of American Gods up... (the version up earlier was an early draft of the review posted in error).

....

Spent a couple of hours today in the basement, pulling out foreign editions of books for neilgaiman.com. I'm not sure whether I was more amazed by the stuff I didn't know I had -- "Chivalry" and "Snow, Glass, Apples" in Japanese. A box of first editions of Angels and Visitations. A Large Print edition of Stardust. A folder of short stories and poems I wrote in my teens (didn't have the heart to burn them, but the idea of anyone ever actually reading them... ow!) -- or the stuff I knew I had but couldn't find -- The German Hardback of Good Omens, for example -- or the stuff I should have had but had never been sent -- like the swedish editions of Neverwhere, or the Spanish Smoke and Mirrors and Stardust.

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Cumartesi, Haziran 09, 2001

American Gods Blog, Post 77

Strangely enough, I just realised that the last two posts haven't published, although Blogger obviously thinks they did. (note added later. They have now.)

Up early this morning to put comments on a zip disk filled with photos, going off to the neilgaiman.com site people. I don't yet have much of a sense of what they're doing or putting up, but we can modify it as we go. Yes, this journal will stay alive through the tour (for a start, it may be the easiest way to let people know what's happening in case of any sudden changes), and I expect it'll stay here and we'll link to it from neilgaiman.com...

Cheryl Morgan, who does a zine called Emerald City, e-mailed me her review of American Gods, which made me very happy, not because it was a good review (which it was, in both senses, favourable and well-written) but because Cheryl had clearly read the same book that I was trying to write. (As perhaps opposed to a recent interviewer, who kicked off with "Well, I've read your book. You must really hate America, huh?")

....

To summarise yesterday's lost annotation blog -- I want to make a space on neilgaiman.com where there can be, if people have any interest in doing it, annotations of American Gods. Partly because I'm sure that people will enjoy sharing knowledge ("Actually, both the Burma Shave ads Gaiman quotes are invented, and the Largest Carousel in the World does not play the Blue Danube Waltz..."), partly to help the Casual Reader ("Czernobog, also spelled Chernobog or Tcharnobog, was a dualistic slavic winter god now remembered chiefly for his appearance as the black winged thingie who appears in 'A Night on Bald Mountain' in the original Fantasia...") and partly as a help to translators around the world, who are good people with a thankless task, but who can sometimes get the wrong end of a stick, or just not know where to look for information.

(I saw a recent edition of Stardust -- and I will not embarrass anyone by saying from which country -- where "Redcap" was annotated as "Bow Street Runner, an early policeman" and "Unseelie Court" was demonstrated to be a nonsense word derived from the three English Words "Un" "See" and "Lie"; which showed me that the translator lacked a dictionary of fairies -- for a redcap is a rather nasty goblinish fellow, with teeth, while the Unseelie Court is the Court of all creatures of Faerie who are actively antipathetic to people, all the ogres and suchlike.)

Don't know whether we'll do it with a message board, an e-mail list, or an e-mail to a central e-mail address yet. I'll probably keep half an eye on it -- not to censor it (I have no problem with the 'Gaiman clearly has no idea how the internal combustion engine actually works, as what he describes here is impossible...' type posts) but just to make sure it doesn't contain information that is simply wrong. (Such things have been known. See "unseelie" above.)

Now to post this... and to hope it publishes...

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Çarşamba, Haziran 06, 2001

American Gods Blog, Post 74

Let's see... First things first. The Beverly Hills Library just realised they'd double booked the evening of the 29th. So:

Due to scheduling conflicts at the Beverly Hills Library, the second of Neil Gaiman's two Los
Angeles-area events will be taking place at the originally-announced venue:

Friday, June 29, 2001 7:00 PM (PDT)

BOOK SOUP
8818 Sunset Boulevard
West Hollywood, CA 90036
1-800-764-BOOK

.....

Also the Canadian signings at the bottom of the tour page are in Toronto, Vancouver and Victoria respectively.

And http://www.americangods.com/excerpt.html now has a real excerpt, with italics and everything.

The whole of Snow Glass Apples is now up at scifi.com -- http://www.scifi.com/set/playhouse/snowglassapples/ first and second parts...

...

Over at barnes and noble they've put up some very solid reviews, by Bill Sheehan and Sharon Bosley respectively.

"Like all such extravagant epics, American Gods is -- as Gaiman clearly acknowledges -- a vast, multi-colored metaphor that has much to say about our ongoing need for meaning and belief and about the astonishing creative power of the human imagination. The result is an elegant, important novel that illuminates our world -- and the various worlds that surround it -- with wit, style, and sympathetic intelligence, and stands as one of the benchmark achievements in a distinguished, constantly evolving career."

That's what Bill says. (He wrote a wonderful book about the fiction of Peter Straub, by the way.)

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