Journal

birthdays etiketine sahip kayıtlar gösteriliyor. Tüm kayıtları göster
birthdays etiketine sahip kayıtlar gösteriliyor. Tüm kayıtları göster
Çarşamba, Eylül 21, 2016

It's Ash's first birthday, a bare chin is revealed... (and so are the next three Robert McGinnis covers)

It was Ash's birthday on the 16th of September, and his mother and I went back to the place he was born to celebrate and to get away from cellphones and the world.

He's a delight and I've never loved him more. His favourite books are Goodnight Moon and a book called Chu's Day (I've never been prouder). His eyes really are that blue.







I'm now off writing, and I won't see them for another ten days. I'm loving the writing, loving the exercising and the quiet and the words, and missing them both, especially Ash, I miss singing to him, miss waking up early and going off and reading with him or walking with him (he can nearly walk). Miss feeding him.

Today I shaved off my beard. I also got a FedEx package containing a proof "Advance Reading Copy" of NORSE MYTHOLOGY (it'll be published on the 7th of February) and an early reading copy of Colleen Doran's beautiful graphic novel adaptation of TROLL BRIDGE (out on October 18th).

Here is a photograph of all these things at once. (Well, not the act of shaving.)



...

So, this is a very book-covery day,  because I'm going to do something fun.

For the last few months, I've been showing people I've been talking to or talking about books with or just wind up sitting next to on a plane the Robert E. McGinnis covers for Stardust, Neverwhere and Anansi Boys.

This is because I am so proud of them, and the work Todd Klein did with the lettering and the design for the books.

The American Gods cover (it already came out) is, in my head, a 1968 SF cover. (I wrote about it here: http://journal.neilgaiman.com/2016/07/robert-e-mcginnis-and-secret-of-new.html. Todd Klein shows all the design work that led to it on his blog http://kleinletters.com/Blog/title-and-cover-design-for-neil-gaimans-american-gods/.)

Would you like to see the next three?



















Really?

You don't have to see them. You can wait until you are in some little Indie Bookshop over the next few months, and be surprised...


I love them. The Stardust cover is an early 70s book, and is funny, like the covers I delighted in for books like William Goldman's The Princess Bride -- the lettering style was inspired by the Ballantine Adult Fantasy Line, and  the whole is intended to be sort of heartwarming.

Anansi Boys is done as a late 50s or early 60s paperback – one of those goofy comedies, with an illustration of a scene from the first chapter. (Also glad to finally get Mr Nancy on the cover of his book.) I think this one is Robert E McGinnis's masterpiece, and Todd's as well. 

 Neverwhere – when Robert McGinnis sent over this haunting cover I sent it over to Todd Klein and told him that I thought it was a 1970s gothic romance cover. He looked at the kind of covers I'd suggested, told me that they often have elegant and swirly titles and heavily serifed type, and he produced something as beautiful and haunting as the cover had been.




Ready...?






Oh, hell. Here you go. And I've just gone to Amazon to find out the publication dates so will put the links in...

(And I checked Indiebound and the books are now up there too, so Indiebound links as well.)


Anansi Boys (http://bit.ly/AnansiPulp) comes out on October 25th...  (I loved this one so much I bought the painting from Mr McGinnis.)





Neverwhere (http://bit.ly/NeverwherePulp) is published on November 29th. I love the rats in the shadows...








Stardust (http://bit.ly/StardustPulp) is the next one to come out -- it will be out in just six days from now on September 27th...






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Pazartesi, Nisan 30, 2012

Happy Birthday Amanda, and the Future of Music

This makes me so happy:




It's such a sweet, funny video.  Even if you have no interest in my wife or what she does, you should click on it and watch it.

Her Kickstarter went live at 7 this morning, and it's already 93% funded, mostly so far by people who are using it to pre-order the limited edition version of the CD. (Given the number of people who seem sad that they did not use Kickstarter to order an EVENING WITH NEIL GAIMAN AND AMANDA PALMER CD - which turned out, given the amount of money the Kickstarter raised, to be a 3CD set with a special, will-never-be-for-sale bonus extra CD as well -- I am not at all surprised that people are buying. I love the way that Kickstarter allows people both to be patrons of the arts and to directly support the creation and manufacture of the thing they want, cutting out the middlemen.)




And it's her birthday today too.

Last night I saw some students at Harvard perform an immersive dance piece inspired by The Graveyard Book, and it was one of the sweetest, most haunting, life affirming things I've attended, and a wonderful way into her birthday.

Today, we're taking a quiet day together. In a few minutes we'll wander out and get some juice and walk in the sunshine.

I'm writing a speech I will be delivering in Chicago next week, with the working title of "What the [very bad swearword] is a Children's Book anyway?" It's about, well, what Children's fiction is, something the book I'm writing right now has me thinking about all the time. It has a seven year old hero, and magic, and terror, but it doesn't feel like a kids' book, and the attitudes and content are profoundly adult.

Anyway. So much to catch up on here. I hope you enjoyed the Stephen King interview.

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Perşembe, Kasım 10, 2011

Birthday Wishes

The tour is over.

It was amazing, and it got better. Vancouver was fantastic. Portland was amazing. Seattle was almost as amazing as Portland, but it was the only stop on the tour I didn't do mostly new material at because we were webcasting it.


Neil Gaiman
I went looking on Flickr for a photo of me last night in Seattle - Amanda surprised me on stage with her signing "Take Back Your Mink", accompanied by a small, well-choreographed burlesque troupe, and then presented me with a birthday cake. But there were no photographs of that up yet, so here is a photo someone took of me in Vancouver. Portland and Seattle were filmed. All the shows were recorded. We'll be releasing a triple CD of the tour to Kickstarter supporters, and there will also be a digital download. I don't yet know how the film of the last two gigs will be released or what it will be once it's edited.

It's my birthday today. I'm 51. There is no way I can get my head around 51.

It sounds so terrifyingly grown up. I know that I am remarkably fortunate: there are people I love who who love me, and I make my living making art that I take pleasure in making. I don't know what else I could ever ask for. So many birthday wishes coming in.

Thank you, each and every one of you. I'm very grateful.

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Çarşamba, Şubat 09, 2011

Now We Are TEN.

Happy Birthday to the blog. Thank you to all of you who read it, wherever and however you read it.

Technically, I suppose you could argue about whether it's the tenth birthday of this blog or not. When it started, on Februrary the 9th, 2001, it was the american.gods.com blog, and it didn't become the neilgaiman.com blog until September 2001, when I decided to make it sort of permanent, and Trevor Valle (who owned the neilgaiman.com domain name) gave it to me and I gave it to Harper Collins and we started building this site.

But on the 9th of February 2001 I wrote my first entry. It was entry # 2, because entry #1 was written by someone at Authors On The Web who were webmastering things back then. It was going to be a blog about the publishing of a book, and it started,

June the 19th 2001 is the publication date of American Gods, a book which despite the many shelves in this office filled with books with my name on the spine, feels an awful lot like a first novel. (Perhaps because it was the first long work I've done without any collaborative input from anyone, and that wasn't first something else.) And this, in case you were wondering, is the occasional journal on the americangods.com website. I thought the journal could count us down to publication, and see us through the US and the UK publication and tours for the book in June and July.

I first suggested we do something like this to my editor, the redoubtable Jennifer Hershey, about a year ago, while the book was still being written (a process that continued until about 3 weeks ago). She preferred to wait until the book was on the conveyor belt to actual publication, thus sparing the reading world lots of entries like "Feb 13th: wrote some stuff. It was crap." and "Feb 14th: wrote some brilliant stuff. This is going to be such a good novel. Honest it is." followed by "Feb 15th. no, it's crap" and so on. It was a bit like wrestling a bear. Some days I was on top. Most days, the bear was on top. So you missed watching an author staring in bafflement as the manuscript got longer and longer, and the deadlines flew about like dry leaves in a gale, and the book remained unfinished.


You can read the rest over at http://journal.neilgaiman.com/2001/02/american-gods-blog-post-2_09.html

While I'm not going to ever post a picture of me blogging in the nude, I suppose after ten years we know each other well enough for you to see what I mostly look like when I start writing a blog entry. Here's me a couple of hours ago, starting this blog entry, unshaven and pyjamaed...

And that was interrupted by several things (including a bunch of my blood being drawn for my annual medical*) so now, finishing it, shaved, showered and dressed, I look like this:



It's the office. Lots of email gets done here. Blogging sometimes, but almost no fiction gets written here. Behind me is Maddy's nook. Over to screen right is a desk where Lorraine sits and works and answers the phone and deals with things.


* I just got a call from my Doctor to tell me that my blood work is the best it's ever been. Rah, as my wife says, for diet and exercise.

So I have some plans for Tenth Blog Anniversary things. One thing I want to do this month is repost some of my favourite blog entries from a decade of doing things. And to find out what people's favourites have been from over the years.

It was written in October 2001, after a week away from the web. I think I was writing Sandman: Endless Nights at the time.



This is the kind of journal entry you can only write at leisure; and at enforced leisure, at that, because I cannot get online, so this will be posted in a day or so. Truth to tell, I don't mind not being able to get online, just as I don't mind that my cellphone is out of service where I am right now. It's a good thing. My only contact with technology is a single phone call home each night, to read a chapter of Daniel Pinkwater's LIZARD MUSIC to my daughter Maddy.She has a copy of her own, at the other end of the phone, and fills in occasional paragraphs.

So.

Blam.

I was woken up this morning by the sound of artillary bombardment in my dreams. Blam. Blam.Blammety crash. Blam. I opened my eyes, and someone was dropping bricks from the sky. The bricks would crash onto the low roof of the cottage I'm staying in and then thud off the roof onto the grass. I got up, bleary-eyed, and stared out of the window.

Blam. That was the sound of someone dropping a brick onto my car.

The problem, I eventually concluded, was the walnuts. Not the nice, wrinkeldy brown nuts you get in Festive Nut Hampers, but the kind that fall from trees, like compact green cricket balls with the nut somewhere inside. The outer covering contains walnut juice, as I find when I pick one up. In fiction, as a boy, people were forever staining their skin with walnut juice in order to pass for Indians or Arabs, and I couldn't understand how the nut gave the juice. It doesn't. It's the yellow goop inside the green case.

So. I'm hiding out in a pretechnological world, with a wood-burning stove and lethal rains of noisy walnuts, getting some writing done between engagements (viz. an appearance at MIT with Messrs Harlan Ellison and Peter David, and the parents' weekend at my son Mike's college this coming weekend).

The MIT appearance was enjoyable. Harlan was Harlan, and Peter was Peter, and I was me; and I thought at the end that in while Peter and I had enjoyed ourselves we were not quite as in evidence as we might have been, and that someone should just book Harlan Ellison vs. MIT, the rematch. ("In this corner, one distinguished-looking gentleman with wearing a brown suit and orange shoes, who still uses a manual typewriter and who has not even begun to fight; in the far corner, 900 mildly outraged people who wish to further contest Mr Ellison's collective characterization of them as 'Dumb as bricks and a waste of good oxygen'...")

Harlan was the big star, but I think overall the three of us made an impressive sort of constellation.

Blam.

That was the sound of another exploding walnut crashing down from the heavens onto the roof and rattling down onto the ground.

Snuffle snuffle grurp munch.

That was the sound of a large pot-bellied pig eating walnuts. The pot-bellied pigs live on the farm next door. But they wander. And they like walnuts. I suspect the pig's mouth and chin are stained with Walnut Juice.(I just went and checked. They were.)

Me, I really enjoyed the MIT thing, and the company on and off stage, although I could have done without the signing at the end. I read a poem called CRAZY HAIR that I really do have to publish as a book because after I read it people ask me for it; and I read the House of Clocks segment of the story I'm writing with Gene Wolfe for World Horror. And then I drove south, and came eventually to rest in a tiny cottage with a wood burning stove, a spiral staircase, a well-stocked fridge and an antique telephone, for some peace and quiet and writing time.

And autumnal calm and sunlight and October-blue skies. The wind sighing in the maple trees and the high elms. Deer down at the pond, drinking. No cell phones, no noise, no nothing. Just a chance to collect my thoughts and work, in a three hundred and fifty year old cottage under a walnut tree.

Blam.Thud.

Snuffle munch.

Blam.

.................................................................................

Several days later...

I've left the perfect autumnal cottage. Normally on leaving somewhere that cool, I'd post its whereabouts, but then, if I did that it might be fully booked the next time I wanted to go back, and unspoilt and perfect places are few enough in the world.

The lady next door runs a home for pigs. I went down each morning to say my hellos to the pigs and the people: cute little wee black piglings and mighty great boars and snufflers. Not for eating:Vietnamese potbellied pigs, pet pigs, some being boarded, some for sale, some for adoption.

The lady who owns it took me around and introduced me to many of the pigs.

"Now this one," she said, pointing to one small and chirpy looking black fellow in a cage "was a pet pig. He was an ungelded boar, who was owned by people with Pomeranians. But they couldn't cope, and we're looking after him until he can be adopted."

"Why couldn't they cope?"

"Ah," she said. "Well, there's no way to put this delicately. I gelded him myself a couple of days ago. But an un-neutered boar needs to ejaculate at least twice a day to remain healthy. And this fellow, not being neutered, was trying to meet his ejaculatory needs with whatever came to hand. Mostly the Pomeranians. And the family, well, they really hadn't bargained for that."

I agreed that they probably hadn't. And then I shook my head, listening to the grunt and snuffle of the pigs, and contemplating the silence of the Pomeranians.



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Çarşamba, Kasım 17, 2010

The Wedding Mystery Explained

I went to New Orleans and I had the best birthday I've ever had.

There was food (the best New Orleans food, which is the best food in America. I loved eating at the Commander's Palace, and at Muriel's, but I loved The Green Goddess more - Chefs Chris and Paul are heroes). (The "Mezze of Destruction" secret message should still give you a secret foodie easter egg of some kind, if you eat there and say it to your server. It's the secret "Neil sent me" code.)

On the morning of my birthday I was surprised by a wonderful unexpected art-event flashmob wedding.

If you head over to Amanda's blog and read this (and you should. Trust me) http://blog.amandapalmer.net/post/1597897908/still-life-with-wedding-party
you will learn what Amanda did and how she pulled it off. It was amazing.

And once you've read that (go and read it. It'll make more sense of the rest of this) head over to http://www.kylecassidy.com/pix/travel/2010/nfgafpnola/afp-nfg-wedding-album-1.pdf in order to see some beautiful photos arranged into a wedding album by Kyle Cassidy. I don't think I knew that any of those photos were being taken except for the last.

As you read Amanda's blog and look at Kyle's photos you can marvel at the ease with which she persuaded me, without in any way suspecting anything was odd, to wear a top hat in my search for breakfast and tea; you can observe the way that I am astonished by Amanda's first surprise and then banjaxed by her second as a wedding party appears from nowhere; then marvel at the way that, when I think I can be no happier, she tops it with an actual produced-out-of-nowhere cup of tea.


This was how it ended (click on the photo to see it big enough to appreciate it), with Amanda and me with white paint on my face flanked by my glorious daughters, with our friends making happy faces and me holding tea.

Next time we get married, I'll marry the lady, not the statue, and there will be invited people and not a flash mob, and I'll know it's happening in advance, and there will be a paper and it will be legally recognised, but I cannot imagine it will be any more joyous than this was. And truthfully, after that morning's magical wedding, I don't think I could ever feel more married.



A lovely photo of Maddy and me and Holly by Adriane Biondo
...

(PS: As a result of the last interim post, I have learned that the Sushi making kit was from Lena St George-Sweet and Hamish Brown. I love my blog.)

(PPS: More of the New Orleans trip to come)

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Salı, Kasım 09, 2010

Where I am and what I am doing. Also, Dogs.

In case you are wondering where I am, which is something I often do, I am in New Orleans for a small birthday gathering for my 50th birthday, which is tomorrow, and for the Amanda Palmer Dresden Dolls gig on Friday (it's a special gig - a gulf oil spill relief-benefit forBTNEP, an organisation that is working to preserve, protect, and restore the Barataria and Terrebonne estuaries of Louisiana).

(Here is a link to a photo of me yesterday in my natural habitat.)


...


Given that my dogs are not here and I miss them today, I thought I should do a brief tutorial in dog recognition.


Cabal's on the left here, Lola's on the right.


There. That was easy, wasn't it? Mm, probably not. So...

Here are two photos by the Birdchick that I just went and stole from fuckyeahcabal.


Cabal looks sort of noble. A lot of the time he also looks serious, as if he is doing complicated long division problems in his head and does not want to be disturbed. He has a pink nose. He likes staying close to me and is still recovering from a couple of spinal operations, and a couple of leg operations, but is now walking again, and even running, sometimes. He's almost 8 years old, which means he's sort of my age in dog years.



Lola would not know noble if it sat on her head. She has a slightly pointy face, an embarrassed grin and a black nose. She bounds and is impossible to exhaust. She's about 9 months old, and seems like a teenager. If I leave things on the floor she may chew them. She likes leafpiles better than anything in the whole world.



They get on really well, and on the whole, Cabal seems much happier with Lola around, and Lola is settling down. She plays well with us. We're hoping that eventually she'll play well with other dogs. (As a smaller puppy, she was Sent Home from Doggie daycare with a Stiff Note.)

...


And The Price is on the front page of http://www.kickstarter.com/. You should go and see what other great projects they have that people can help fund. Also, if you can, help spread the word about The Price. It's been up on Kickstarter for less than a week and is already almost 1/3rd funded. It's Christopher Salmon's dream project. I'd love to see him make it.


...


I'm feeling so odd about turning 50. The last time I felt like this was, strangely enough, when I turned 24.


I'd liked being younger than 24. Anything cool I did, people would say "And he's so young," and that felt good. And then suddenly I was 24 and I felt like I couldn't be a boy wonder any longer, and the world had become level.

Turning 50, I feel like, damn: I can't be a promising young writer any longer. For the last decade, I've hated getting Lifetime Achievement awards, they'd make me feel squirmy and awkward, and now I'm going, ah, I'm going to have to accept them with good grace.

But I'm glad I'm a writer. There are a lot of professions in which you're done by my age. And I don't feel done at all.

...

Hi Neil

I received an email this morning from the Sydney Opera House which revealed that you and Amanda are performing there together on Australia Day, January 26th.

http://www.sydneyoperahouse.com/whatson/amanda_palmer_goes_down_under.aspx

Needless to say my wife and I grabbed tickets (G25 & G26 if you would like to wave to us!).

I have not seen any mention in your Journal or Where’s Neil as yet. Are you in a position to give us any information on this concert as yet?

Also will you be doing any other events or signings whilst in Sydney this time? I would like to get my final two Absolute Sandman’s signed and I’ll need a lot of warning so I can get to the gym and work out. Those mothers are heavy.

All the best
Chris Harcourt


Sorry about that -- the gig is Amanda's, and I was waiting for her to announce it, and I think the Opera House may have announced it themselves before she expected it. She put up a hasty entry on her blog.

I don't know about signings and such, I'm afraid.

The TRUTH IS A CAVE IN THE BLACK MOUNTAINS reading I did in Sydney earlier this year with FourPlay string Quartet and Eddie Campbell art is going to happen again, with, I think, some extra paintings, at the MONA festival in Hobart on January 15th - details at http://www.mofo.net.au/MOFO_Highlights.pdf

With respect to the tea party gone awry but actually for the better tale, told in the "A gallimaufry" blogpost, does it worry you that as charming as the story is, it also smacks somewhat of cronyism and a reminder that privilege begets privilege? I mean, I'm sure the young lady was lovely, but how nice for her that her mum could afford $4,400 for her to have tea with you, and that led to a masterclass from Paul Levitz, and then to an internship. Not a lot of kids at Cooper Union or RISD could afford $4,400 for tea, could they? It pays to have money.

I'd love to love your tale of the tea that went rightly wrong, but it gives me a slightly sick feeling instead. I wish you had a different tale to inspire me about the Moth auction.


You know, I've known too many people who won auctions and such, and then told me sometimes heartbreaking stories of how they managed to pay for it, to ever take it for granted that anyone who paid for something like that (or her mother) could easily afford it.

My attitude is that if you've managed to win an auction for a good cause that I support- for something like the CBLDF or The Moth or RAINN,- then I'm going to look after you as best I can.

It was lucky that the young lady was interested in comics, and had already told me she wanted to edit comics, because, when we discovered that the afternoon that the Moth had tried to set up for us had failed completely and utterly, I hailed a taxi, headed for DC Comics, hoped that everyone I knew hadn't left for the day, and talked my way in.

It could have gone wrong another hundred different ways. We were lucky that Paul Levitz was knocking off for the day, and had wandered down the corridor to say goodnight. We were also lucky that Paul is someone who thinks that knowledge should be shared and passed on to the next generation, and that the young lady asked smart questions, and impressed him enough that he told her how to apply for a summer internship. And it came as a pleasant surprise to me a few weeks ago to find that she had applied for one, and that was how she'd spent her summer.

But you obviously (or maybe it isn't obvious, so I will say it here) don't need to pay thousands for a Moth Benefit tea with me to get a summer internship with DC Comics, or with Marvel, or with Dark Horse. You don't need to pay anything at all. What you need is to keep an eye on their web pages, to apply in time and make yourself sound like someone they'd like to have around the office for the summer. (Here's last year's MAD Magazine internship applications, for example.)

And as far as I was concerned, the point of the story was that, while the adventure happened last year, the Moth have promised that it won't happen again, and that this time wherever I turn up for tea, will have tea and will be expecting me.

Personally, I keep hoping that one year they'll suggest SUSHI WITH NEIL GAIMAN as a Moth prize. For now, it's tea. Unless something goes wrong. https://www.biddingforgood.com/auction/item/Item.action;jsessionid=FCG-PzM5xkCyEjNyq4b0yw**.app3-i?id=120626095

...

The way the FAQ line mailbox works, most of the letters that come in are people saying thank you for the stories, and while I read them, I normally don't post them here. But every now and again, one touches me in an unexpected way. Take a look at the part of this journal entry from 2005...

http://journal.neilgaiman.com/2005/04/jetlag-morning.asp

Go and read it. I'll still be here when you get back.

Right. This just came in, as a sequel...

I wrote to you in 2005 about my son, Jared. I'm sure you don't remember, but you posted my comment on your April, 29, 2005 journal entry.

I had been told that Jared, then 5, had visual and auditory processing disorders and that he'd never learn to read. We went to a book reading of yours, and then, a couple of years later, Jared found his signed copy of Coraline and decided he would teach himself to read it. He did it!

Jared is 12 now, still homeschooled, and I'm happy to say is reading and comprehending on a college level. We found out that he 'only' has a visual processing disorder (VPD), a fine motor delay and he's highly gifted. Because of the VPD, he has no visual memory... he cannot make 'pictures' in his mind. He describes it as 'just being black in there'.

We were talking about his VPD, and I asked him how he taught himself to read. He replied that he remembered your book reading, so he decided to figure out how to 'translate' the weird squiggles on the page into auditory sounds so he could remember them. (This explains the difficulty he had transitioning from reading aloud to silently!)

I'm almost certain that if he had had someone try to teach him to read, he couldn't have done it. It seems that you gave him an idea that allowed him to figure out how to overcome his disability.

Over the years, this has given him the confidence to overcome a number of hurdles. He simply thinks back to teaching himself to read, after several adults had told him he never would, and he is reminded of how remembering you reading aloud gave him the idea to 'translate' written words into sounds... and he thinks outside the box to figure out a way around whatever he's having trouble with.

As I said, he's 12 now, and reading "Grey's Anatomy", the medical school textbook, for fun! He has decided to be a trauma surgeon.

I honestly don't think his life would have turned out this way if we hadn't taken him to your book reading.

So, thank you again for writing, for reading, and for changing my child's life.

Heather (Hubbard) Conrad


Thank you, Heather. Tell Jared I'm a fan.

Hi Neil,

Do you know when the Absolute Sandman vol 1 will be reprinted? Or if it will be?

It's out of stock pretty much everywhere I have looked.

Cheers,

Nat


They've been reprinted already, and are in a boat crossing the ocean. I think they'll arrive in January. I also checked the DreamHaven Books neilgaiman.net site, and they have it in stock as well.

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Salı, Şubat 09, 2010

Now We Are Nine


Now we are nine.

I keep doing things I think are temporary and then most definitely aren't. I don't really know how much longer this blog has to go -- time enough to tend it and keep it growing and flourishing the way I know I should gets harder and harder to find -- but when I started I never expected it to last nine years.

To celebrate, http://www.neilgaiman.com/p/Cool_Stuff/9th_Blogiversary is the page where you can post your own photo of you doing something with a nine in it.

The last time we did something like this, the day I had 666,666 followers on Twitter, it became http://www.neilgaiman.com/extras/6by6/mosaic01.jpg, and then it became this extraordinary The Garden of Earthly Delights at http://www.uslot.com/neilballoons/ (You will need Silverlight to view this last one properly. I mention this because, for reasons on which I have never been entirely clear, people who will happily download and install all manner of other software, apps and plug-ins will lurch into righteous 'But it needs Silverlight -- how can you DO this to me?,' mode without warning.)




Above is Maddy Gaiman, occasional contributor to this blog, wishing it a Happy Birthday.




And this is me, doing likewise, and a little bit more, in my first ever video journal entry.

(I was wondering about what to film these on, and wound up doing them on the Nexus 1. The sound quality outside in the snow is a bit dodgy, but it's not bad. Maddy filmed it. It is she you can hear going Yay at the end of mine.)

A few thank yous seem appropriate:

Dan Guy, the Web Goblin. Danger is not his middle name, but he's only two letters and a space off from having it be his first.

Former Web Elf Olga Nunes. Nobody else could have persuaded me to bounce on a trampoline and whisper in a library in praise of xkcd, as she did at http://www.olganunes.com/xkcd

(You've all seen




...haven't you?)

I want to thank Lisa Gallagher, my former publisher at William Morrow, and everyone at Harper Collins, for their support for this entire website (and for www.mousecircus.com, the junior version). I want to thank Authors on the Web, who started it off, nine years ago, with the now long-defunct Americangods.com.

And, as always, I want to thank my agent, the redoubtable Merrilee Heifetz, who phoned me about a decade ago and said "There's something called Blogger I just heard about that sounds like it would be right up your street..."

And it was.

(The picture of the cover of Instructions is at the top of this blog because it looked prettiest there. But really it should be down here, with me telling you it'll be released at the end of April. [Amazon link, given that they seem to have reinstated the ability to buy books from them by authors published by Macmillan.] You can see some sneak images at Irene Gallo's blog, here.)

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Cuma, Ocak 29, 2010

Time. It's waiting in the wings...

I'm behind on blogging right now, as I try and get ahead (well, catch up) on work.

One hasty thing for you lot to ponder: in about ten days, on the 9th of February, this blog will be nine years old. (It started on the americangods.com website, and then, when we were given the neilgaiman.com domain, transmigrated. This was the first actual post.) The webgoblin pointed this out to me, and we think we should do something to celebrate the blog's 9th birthday. I have absolutely no idea what.

If you have any ideas for wonderful things that would make people happy, let me know. Or, better still, let the all-powerful webgoblin know, at http://www.neilgaiman.com/feedback/

Thank you all for your Zoe letters and notes and thoughts. Maddy sent this to me a couple of days ago. It's her as a toddler, playing with Zoe as a kitten:




...and because time always brings things even while it takes things away, this is Maddy as she is now, over Christmas in Scotland, taken by me on my Lomo:


...

Off to LA for a friend's Bat-mitzvah, then next week I'm talking at UCLA and UCSB. (Details and ticketing info at http://www.neilgaiman.com/where. In each case, the numbers of people involved mean it's very doubtful that I'll sign anything after, although I'll try and sign stuff before so they can have signed objects for sale.) (And a very early warning: I know where I will be on the Hallowe'en weekend 2011.)

Also, I think this is the first time I've won an award for a poem, so thank you to all at Starshipsofa, and the Mythic Delirium crew. (And, per that link, there are still a few copies of the Mythic Delirium Anniversary Issue with "Conjunctions" in it.)

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Salı, Kasım 10, 2009

half a lifetime?

The editor at CBS Sunday Morning asked if I had any photos of my son Mike back at the period when I first had the idea for The Graveyard Book - late 1985. I looked. We really didn't have any. I wandered next door and asked Mary (his mum, my former wife and for these last five years my friend and next-door neighbour) if she had any photos from back then. "No," she said. Then, "Do you mean those transparencies? I have them in an envelope somewhere." She vanished and came back with a large manila envelope from a long time ago. "Here."

Half a lifetime ago -- literally -- I was nearly 25, and working for magazines. Henry Fikret, who photographed a lot of the interviews I did, volunteered to take some photos of me and my family, and he did.A week later the envelope arrived, and I realised that everything he shot was on colour transparencies -- like huge slides -- and I was never sure what do with them, other than being fairly sure I couldn't take them down to Boots the Chemist and have prints knocked out. So they stayed in their envelope, and they kept their secrets, and were forgotten.

Yesterday I had the transparencies scanned, and finally got to see lots of pictures I had never actually seen before of Holly as a baby, Mike at the time that I would have watched him riding his tricycle around the graveyard, and me... at exactly half my age: A young journalist who had sold a very small handful of short stories and two non-fiction books, with dreams of writing fiction and comics. At the time I was dressing in grey, but was getting tired of the way that you would buy something grey and take it home and discover that it was a blueish grey or a brownish grey, and wondering if I'd have the same problem if I just started to dress in black.

And half a lifetime on, it seemed like it might be good to put one up here. I checked, and Mary didn't mind. What odd clothes we wore back then. What big glasses. And look, my hair is practically normal.





So long ago, and it went like the blink of an eye.

...

Birthday wishes are flooding in from around the globe. I wish I could reply to everyone personally, but it would take the next 365 days... so thank you. Thank you all.

And a particular thank you to Garrison Keillor, who announced my birthday on NPR and who also told me that on my thirteenth birthday they burned Slaughterhouse 5, and that on my ninth birthday Sesame Street was born. The Writers Almanac is a marvellous thing.

...

In January I will be part of a free concert for all ages on January 16, 2010, at 7pm, in the World Financial Center Winter Garden, New York. I'll be the narrator for the performance of Peter and the Wolf, performed by the http://www.knickerbocker-orchestra.org (whose website you should visit to get details).

Kissing is about spreading germs (and this is a good thing), a scientist says.

Alan Moore is leaping aboard the Underground magazine bandwagon. Following the success of IT and OZ, Alan's Dodgem Logic is coming out. There's a great interview with Alan at http://www.mustardweb.org/dodgemlogic/

(And enormous congratulations to Alan, who is now a grandfather, and to Leah and John, who are now parents, and Edward Alec Moore-Reppion, who is now, um, born. A Scorpio, like his grandfather and his whatever-exactly-I am, sort of honorary great-uncle or something. Not that we Scorpios believe in that sort of thing, of course.)

Again, thank you all for the birthday wishes...

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Pazartesi, Şubat 09, 2009

Now We Are... Eight?

So I'm standing in the kitchen in a vague sort of way, and it occurs to me that I made a cup of tea some time ago. Not proper tea, more a sort of camomile bedtime thing. I distinctly remember making it. I wander around vaguely inspecting all the places that a cup of tea might profitably wait for me, beginning with By The Kettle, and On The Kitchen Table, then getting a little more desperate, I checked The Islandy Thing In The Middle Of The Kitchen You Can Put Things On, and even, without any hope of actually finding it in there, The Fridge.

It was at this point I started wondering if I had actually made said cup of tea or merely imagined it, and what the likelihood was of it having been stolen by gnomes if I had really made it.

I then remembered that today was the blog's eighth birthday.  (Here's the first real post. It's number two because number one was a test post.)  I thought, I'd better go and post something about that, and wandered back to the sofa I've been mostly inhabiting for two days, and there, beside where I had been sitting, ignored and undrunk, where it had probably sitting for at least an hour, was a cup of very cold camomile tea.

And I thought, eight years ago, when I began carefully charting the progress of American Gods, nervously dipping my toes into the waters of blogging, would I have imagined a future in which, instead of recording the vicissitudes of bringing a book into the world, I would be writing about not-even-interestingly missing cups of cold camomile tea?

And I thought, yup. Sounds about right. Happy Eighth birthday, blog. 

(I expected in honour of the birthday month, the Oracle is now a turbanned me, and indeed, it is: http://www.neilgaiman.com/oracle/)

This post was brought to you by a cup of cold camomile tea.

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Pazartesi, Ocak 19, 2009

Raising a Glass to Mr Poe

It's Edgar Allan Poe's 200th birthday today. And while I twittered a link to this (http://twitter.com/neilhimself), it occurs to me that I should have blogged it too. It's an essay I wrote as an introduction for a collected volume of Poe stories (now on deep discount at Barnes and Noble):

I met Poe first in an anthology with a title like "Fifty Stories for Boys." I was eleven, and the story was "Hop-Frog," that remarkable tale of terrible revenge, which sat incongruously beside the tales of boys having adventures of desert islands or discovering secret plans hidden inside hollowed-out vegetables. As the king and his seven courtiers, tarred and chained, were hauled upwards, as the jester they had called Hop-Frog clambered up the chain, holding his burning torch, I found myself astonished and elated by the appropriateness of his monstrous revenge. I do not believe there were any other murders in "Fifty Stories for Boys" and certainly none with such a colourful and satisfactory cast, nor such terrible and appropriate cruelty.


You can read the rest at:
http://www.neilgaiman.com/p/Cool_Stuff/Essays/Essays_By_Neil/Some_Strangeness_in_the_Proportion:_The_Exquisite_Beauties_of_Edgar_Allan_Poe.

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Pazar, Kasım 09, 2008

Pickles and Pears

The performance on Saturday Night was fascinating. I hadn't been to the rehearsal, so had no idea what to expect. Essentially, it was eight excellent voice actors (I'd credit them all here, but I didn't grab a programme) performing on each side of the stage while the panels appeared on a large screen. They did "Three Septembers and a January" (the Emperor Norton story) and "The Golden Boy" (The Prez story), and did them extremely well. It made me wonder what it would be like to try and do a bigger story in that format-- "The Doll's House", or "A Game of You", perhaps. Not sure that everything worked but most of it did, and the stuff that didn't work is fixable...

And on Sunday morning I slept until I woke up. Which was a wonderful, happy-making thing.

...

Argh. And that was as far as I got on this yesterday (Sunday).

So the best bit was Chip Kidd interviewing me at the 92nd St Y. Best interview ever -- partly because it was the very last thing of the tour (hurrah) and partly because Chip is a brilliant interviewer. He's funny and smart and makes a comfortable space to talk in -- I'm not sure how to explain it beyond that. If you're a TV network looking for an interviewer, you should hire Chip Kidd. (http://www.goodisdead.com/index.php?/chip_who/)

And then was a signing that went on for a very long time, but again, the knowledge that it was the last one of the tour kept me going -- and everyone was so extremely nice... but I was sort of trashed by the end, and very happy this is now over.

My Nokia N73 started randomly turning itself off last week. It now seems to have more or less given up the ghost. When I get home I'll try updating the software, but I think it's definitely New Phone time. (Hoping that the G1 that Google offered to send is waiting for me when I get home tonight...)

So thank you all so much for all the Birthday Wishes -- all the individual ones, and the ones at
http://www.groupcard.com/c/neil_gaiman...

And before the end of my birthday, I will get home. Hurrah.

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Pazar, Şubat 17, 2008

The votes are in...

So...

http://www.neilgaiman.com/feedback/vote.php?issue=freebook&show=results

tells us that 26,500 of you voted. (Or at least, 26,551 votes from 26,551 individual computers came in.)

And, with 28% of the vote -- as it had from the first hour the voting went up (well, it had 29% of the vote on the first day, a lead that was whittled away as the next 26,400 votes came in) is American Gods.

So that's what we'll put up. Details and links to follow....

It was really interesting. I don't think I would have put up American Gods as a first choice for free book myself -- mostly because a) it's really long and b) it divides people. As far as I can tell, for every five people who read it, one loves it utterly, two or three like it to varying degrees, and one hates it, cannot see the point to it and needs convincing that it's a novel at all. (Quite often the last person really likes some of the other books I've written, if they ever pick up anything else by me ever again.) But that's the fun of democracy, and American Gods has won more awards than any other single thing I've written.

Thank you to everyone who voted. It was fun. (And a special thank you to the web-goblin, who did all the heavy lifting.)

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Cumartesi, Şubat 09, 2008

The Birthday Thing

As you may have deduced, it's the blog's 7th birthday today. On February the 9th 2001, I started writing this thing. And now, 1,071,213 words later, it is still going. (Until the wind changes, as Mary Poppins said.)

One thing we've decided to do, as a small celebratory birthday thing is, initially for a month, make a book of mine available online, free, gratis and for nothing.

Which book, though...? Ah, that's up to you.

What I want you to do is think -- not about which of the books below is your favourite, but if you were giving one away to a friend who had never read anything of mine, what would it be? Where would you want them to start?

Click below on the cover of the book you'd like to see out there, online, for free. We'll keep the voting up for a week, and then announce (and Harper Collins will post, to be read) the winning book.

American GodsAnansi BoysCoralineFragile Things
American GodsAnansi BoysCoralineFragile Things

M is for Magic - HardcoverNeverwhereSmoke & MirrorsStardust
M is for MagicNeverwhereSmoke & MirrorsStardust
[Display current results]

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another birthday post...

Strange things keep turning up in the right hand side of the page. (If you're reading this on a feed, you might want to click over to http://journal.neilgaiman.com/ and refresh a few times. I'm just saying...)

Hi Neil, I was just wondering, why don't you have comments turned on on the blog? I'm sure there would be tons everyday. Still, it would be fun to read other's comments and such. Just wondering. Love the new pics on the blog today. Oh and HAPPY BIRTHDAY BLOG! Hope your'e around for at least 7 more years.

Thanks and I love this blog (and you too!),

Jodi

Because seven years ago, when it started, things like comments were unheard of, outside of a couple of the secret blogging laboratories on the Moon, and when, a few years back, Blogger introduced them, I was happy with the way things were - mostly because I knew the volume of stuff that comes in on the FAQ line, could only imagine the volume of comments we'd get, and knew how horribly interesting a good comment place can be. (Making Light is the best example, where the original post is the tip of an iceberg, and then things get really interesting or strange -- each comment thread can be a good day's reading, filled with interesting stuff.) Which meant, I suspected, that if I turned on the comments I'd ever get any actual work done again.

Hi, Neil.

I know you watch Boing Boing and that's where I found this, but I wasn't sure if you caught the post since you're been in "The Graveyard Book."

http://community.livejournal.com/ya_fsf_con/570.html

Some authors hoping to plan a sci-fi convention that focuses on young adult. :-) Makes me all warm and fuzzy, really.

Tina @ ALA


Good to know. I think it's a great idea. (Also, I was pleased to hear that Fourth Street is returning.)

If the snow effect you're talking about is the same one I saw at 3000m in the Haute Savoie (which makes it sound more impressive than "on a skiing holiday"), then it's called diamond dust. Single ice crystals formed in very low air temperatures, like being inside a frozen cloud.

It takes something special to make a dozen lads on a booze/wintersports holiday all shut up and gawp, but that did it. On a sunny, blue-sky day too, the air just sparkled.

It sounds like a local version of that. Right now we've got an "arctic front" with 45 mph winds gusting the just-fallen snow around in blinding howls, and I'm not looking forward to dogwalking...

Hey Neil! Any chance of getting a direct link to the original post for what comes out of the oracle?


We talked about it a while ago, and then forgot. I'll ask Da Goblin. In the meantime you can always cut and paste it into the site search engine at http://neilgaiman.com/p/Search
and unless it's something unusual (I just tried it and it gave me a question mark) it should be easy to see where it came from.

[Edit to add, Da Webgoblin assures me that the link has been there for ages. You just have to find it. I asked the Oracular Orb if this was the right course of action, and it said "Lots of people think this is a stupid idea, including Lord Blackadder." The Webgoblin and I, however, will Stay The Course.]



Has the Oracle ever said anything other than "You have to actually shake it?"

I am starting to lose faith in its power.


You didn't read the instructions at http://www.neilgaiman.com/oracle, did you? I'd particularly refer you to the bit that says "don't just click on it. Shake it." If you click on it, it will say "You actually have to shake it". Only when shaken will the curtain between past and future be lifted, and only then will the oracle pronounce oracularly.

Mr. Gaiman,

First, thank you very much for your blog. It is a delight to read each day--particularly so when you describe just how much work you put into your writing.

I was wondering, though, about where you write. You have talked about your pens and paper and your ink, and I have seen many references to the small cabin in which you write, but I was wondering if your could (if you haven't already) describe the writing shack. I'm always curious about the conditions in which writing is produced, and the idea of a writing shack fascinates me. Do you always try to write in the same place? Before you had a writing shack, did you find similar places to write? Do you find that you grow attached to the place itself and that writing in other conditions (i.e. places, pens, papers) is difficult?

Thanks, again, for sharing all of this with us, and I apologize if my questions have been asked and answered elsewhere.

Cheers

Scott


While I was typing this the sun came out. I may take a few photos of the gazebo at the bottom of the garden, which is where I'm currently doing a lot of writing, mostly because it's the easiest place to write with a large white dog, and post them. The rest of the writing is occurring in the small hours of the morning on a sofa.

I can write pretty much anywhere, in truth, although I like going places I've not been before. I like travelling, in moderation, and I like being in new places, and I especially like being in new places to write.

Meanwhile, here's a ten-year-old-photograph of me in the Patagonian town they named after my kind...



...

The Mysterious Thing Post will go up tonight.

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If you were wondering...

...it's the blog's seventh birthday.


And before the end of today the web-goblin and I will be posting the Cool Birthday Surprise.


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Cuma, Şubat 08, 2008

what day is it?

It's very nearly the 9th of February here.

And you know what that means?

You can't have forgotten. I mean, it's the NINTH OF FEBRUARY*...

Well, nearly.

Just saying. That's all.

...

And tonight the snow was like glitter. I had to pick Maddy and her friend up from basketball, and the snow... it was like nothing I'd ever seen before. It was an optical effect. It was glitter.

*(And because it is February, the Oracular Orb has me in it again, in a mystical fortunetelling turban.)

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Perşembe, Şubat 01, 2007

"...when you live in a godless universe of pain. If the universe was ordered, Neil Armstrong should be the first Neil on Google."

The quote is from Penn's radio show. You can also get it free from iTunes (here's the URL).

Over at Time Magazine they have a round up of the top ten comics/graphic novels of the year. All good choices, although I was surprised by the appearance on the list of some fine reprints (Kings in Disguise, for example.). Still, it was nice for me to see Absolute Sandman on there, mostly because when I wrote it, in 1987-1989, it would have been unthinkable for Time Magazine, or any real-world magazine, to have devoted any space at all to graphic novels or comics on a Best of the Year list. http://www.time.com/time/topten/2006/comics/10.html

Locus's Recommended list for 2006 is up at http://www.locusmag.com/2007/2006RecommendedReading.html


NEIL: JUST READ YOUR NEW MAILING ADDRESS - BUT I SEND YOU SOMETHING AT DREAMHAVEN -WILL THAT GET TO YOUOR DID I IS JUST WASTED MONEY SPEND ON MAILING? ALSO, ARE YOU REALLY GOING TO BE SPENDING SO MUCH TIME IN HOLLYWOOD? LUV YA- CLARE

It'll get to me, don't worry. It just tends not to be a very fast thing.

And no, I'm not going to be spending so much time in Hollywood, that's just where Cat and her office is. The joy of the modern world is that things can move around it very easily, and we decided that it's far better if letters and suchlike go to someone who can look at them that day and figure out what's meant to happen next, rather than be put in a box with my name on it under the counter at DreamHaven and wait for the next time I decide I need a haircut and go down to Hair Police and stop in at DreamHaven to sign stuff for them on the way home.

...

Lots of artists and possibly someone who isn't an artist drew Spider-Man covers for a good cause. Details and you can pick out the blogging not-an-artist at:
http://www.comicbookresources.com/news/newsitem.cgi?id=9528

...

In honor of National Gorilla Suit Day, I did an artist trading card and thought you might enjoy it, a bit.Here's the url: http://www.mcmatz.com/2007/01/ebay_auction_at_4.html I will now slowly back towards the exit and fade away...--Madeline

Oh Mark Evanier and Don Martin, what have you wrought?

Dear Mr Gaiman, I've just finished watching the recording of the Cody's Books readings and Q&A session. I'd never heard you read your work before. It's distressing to find out that not only are you a fantastic author but you are also an evocative oral story teller. Surely you're not allowed to be both? On to my question. (I searched and couldn't find anything specifically on this topic but my apologies if I missed it.) As a writer, do you get a similar feeling of closure/reward/enjoyment when you've created the final climax of a story that you hope your readers will experience when reading it or do you always have one eye on the technicalities of writing? Thank you.Regards, Clare Milner

You're too kind.

And the only answer I can give is neither. Because you're not experiencing it at the same speed. There's a relief at getting to the end, but it's also the relief of getting to the end of something you've been working on for, often, several years. Which doesn't mean you're not affected on an emotional level by scenes or by what happens to characters, or that you don't feel what's happening while you write it. But a reader will read something in a few hours that might have taken you a couple of years or more to write. And that big moment of closure may have been followed by another six months of writing.

Neil,In a post a little while ago you mentioned the reading list John Crowley compiled - which looks absolutely fascinating. You said a couple of the books on the list were your favourites in the world. So that would seem to me a good place to start! Which were they though? Sorry if the answer should be apparent from elsewhere on the site but I couldn't find it...Best wishes
Dominic Hartley

They are Extraordinary Popular Delusions and the Madness of Crowds by Charles Mackay, a book I adore; and The Songlines by the brilliant Bruce Chatwin (do not write to me and point out that Songlines is factually dodgy sometimes. It's still an amazing book and Chatwin wrote astoundingly well).

...

Do you realise this blog will be six years old on February the Ninth? I've had some ideas of things that we could put up that would be fun and special to celebrate the birthday, but they may not be ready in time...

...

g'day mr. gaiman. or night. or whatever it is, where you're at.i've been going through your blog for a couple of days now... (...) here are a couple of questions that i sincerely want to know the answers to.with all the fame and joy you've attained from writing, aren't you afraid to lose it all in an instant? i don't want to be morbid and all, but with all the hard work you've put in to your works, are you afraid to die?sorry... i wanted to ask j.r.r. tolkien the same thing but he isn't around... you see, i'm scared of dying and i'm poor... what is it like for you who has all the things you've achieved in life?

I remember being scared of dying when I was on the plane from London to New York in mid 1988 with the first half of Dave McKean's Black Orchid art travelling in the plane cabin with me -- these were the painted originals, and there were no copies as Dave, barely out of art school, couldn't have afforded to get them all shot at that point. I was writing Sandman issue two or three back then.

And I knew that if the plane went down Dave would never have redrawn the Black Orchid pages, and it would never come out, and that even if the first couple of Sandmans came out no-one would have known where it was going or what it was going to be. I crossed the Atlantic sweating, mentally keeping that plane in the air all the way.

Nineteen years later, I'm remarkably sanguine about life and death. I'm really lucky, in that I've achieved an awful lot of the things I wanted to do, and some people noticed. If I died soon (something, I should add here, that I have no intention of doing; I like life and all the things that come with it), I'd leave a body of varied and interesting work and three amazing kids behind, and that's more than I ever set out to do or hoped for.

Does that help?
...

I'd like to ask a small favour of those of you who have read down this far. Would anyone reading this, anyone with a blog or a website that is, mind linking to the last post -- http://www.neilgaiman.com/journal/2007/02/and-in-time-it-took-to-say-that-neil.html -- with the link text Penn Jillette? Given Penn's recent rant about the power and ubiquity of this blog on his radio show, I'd like to mess with his head just a little and see if we can actually google-bomb it so that that entry shows in the top few entries if you google Penn's name.

And sshhh, don't anyone tell him. I want it to be a surprise.

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