Journal

Showing posts with label Thomas Disch. Show all posts
Showing posts with label Thomas Disch. Show all posts
Friday, July 11, 2008

The results of Free

Dave McKean writes to let me know that,

Here's a poster for my show at The Merry Karnowsky Gallery.
The opening is on the evening of the 19th, it's open to public,
anyone can come, I'll be there.



The Gallery is in LA. If you click on the picture you can see it large enough to get the address and time details from it. (You could do it from the gallery link too, but it's less pretty.)
...

Liz Hand wrote to say "elevator" was, of course, a typo, and I searched and discovered that the complete text of Tom Disch's short story "Descending" is actually online at:

http://www.scifi.com/scifiction/classics/classics_archive/disch/disch1.html

You should read it. Really, you should. It's a short story that begins,

Catsup, mustard, pickle, relish, mayonnaise, two kinds of salad dressing, bacon grease, and a lemon. Oh yes, two trays of ice cubes. In the cupboard it wasn't much better: jars and boxes of spices, flour, sugar, salt—and a box of raisins!

An empty box of raisins.

and continues inexorably from there. I think of that short story every time I look in the fridge and can't see anything to eat.

Over at http://nielsenhayden.com/makinglight/archives/010413.html Teresa Nielsen Hayden says, in one of the comments,
One of the things he did extremely well was write from the POV of characters who aren't terribly bright, or who have limited worldviews. They're never aware they're in a story; and while the story may do terrible things to them, it never sides with the reader against them.
Which did that thing of making me realise something I had observed a hundred times and never seen.

...

I got an email from Harper Collins this morning, giving some final statistics and information about the free American Gods online read thing we did to mark the blog's seventh anniversary. (If you're interested in the back story, read the entries at http://journal.neilgaiman.com/search/label/free%20book up to here.)

The Browse Inside Full Access promotion of American Gods drove 85 thousand visitors to our site to view 3.8 Million pages of the book (an average of 46 pages per person). On average, visitors spent over 15 minutes reading the book.

The Indies [ie. independent booksellers -- Neil] are the only sales channel where we have confidence that incremental sales were driven by this promotion. In the Bookscan data reported for Independents we see a marked increase in weekly sales across all of Neil’s books, not just American Gods during the time of the contest and promotion. Following the promotion, sales returned to pre-promotion levels.

Through an online survey, we know that 44% of fans enjoyed this browsing experience and 56% did not. Some of Neil’s fans expressed frustration with the Browse Inside tool for reading through a whole book. (This poor result is partially due to two problems which were fixed soon after the initial launch – mistaken redirect to the Flash-based reader and slow image load time)

(The reason that independent booksellers were the only places they could see it having an effect was that some of the chain stores were doing a promotion that my books were also in, which fogged the results for them.)

We also received some valuable insight from the 1k people who responded to the User Survey that Neil posted to his blog.
The vast majority of respondents had already read one of Neil’s books, but 20% of them had not previously read American Gods

41% were new to the e-reading format

Response to our Browse Inside Online Reader was mixed – with 44% saying they enjoyed the experience at 56% saying they did not. The chief complaints were that you had to have an internet connection to read the book, you had to scroll to see the whole page and that the load time was sometimes slow. 69% of respondents said that they would like to be able to download. Some people complained that since they couldn’t bookmark where they left off, they got lost between reading sessions.

Back to the 44% who enjoyed the experience….9% of respondents said that they read through 100% of the book and 30% of respondents said that they would use this tool to read the whole book.

In the comments section of the survey many people requested that more of Neil’s books be made available.
As I said back when were doing it, to a bookshop owner worried that I was taking his livelihood away from him,

Anyway (it probably bears reiterating) this is an experiment. Harper Collins are going to be looking at the figures over the next month and longer. If sales of American Gods crash in bookshops -- or if sales of all my other books crash -- they won't be doing it again. If American Gods sells more, if my other titles sell more, on actual Bookscan sales, then I think we'll all agree that you and your fellow booksellers will be selling more books, and will thus have nothing to worry about.

Remember, publishers aren't making their money from free downloads or from free online books. Like you (and like me), they make their money from books sold.
Given that Harper Collins sold a lot more of all my books while the free American Gods was out there, with sales of all my titles up 40% through independent bookshops, I think I can safely say that we'll be doing it -- or rather, something similar -- again. And that the 56% of people who didn't enjoy the online reading experience may be a lot happier with how we do it next time out.

And thank you -- to everyone who initially voted, and everyone who read (or failed to read) American Gods online and everyone who filled out a survey.

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Return I will to Old Brazil.

(This was yesterday's blogpost.) Spent most of today asleep. Now awake at 4.00 am.

Tom Disch killed himself while I was in Brazil. I wanted to love his novels, and mostly failed -- they were astonishingly smart, brilliant but also cold. (I thought I'd read all Disch's novels, and only realised I'd never read On Wings of Song when I started reading the reviews of it in the obituaries. Sigh.) But when I met him, at ICFA, I got to tell him that his story, "Descending" was perfect, which it is, and that his novel "Echo Round His Bones" was the first adult SF book I bought with my own money, which it was. Few authors resemble their work, but I had imagined Tom Disch would be an icy, intelligently scary, tall sort of person, smart like a cyborg, and was pleasantly surprised to find my mental picture replaced by the reality of a big, ambling, gentleman with a high voice and an endearing awkwardness around other people.

His friend John Clute writes his obituary for him in the Independent, while Liz Hand writes about him at Salon (I'm pretty sure that it's an escalator, not an elevator, in "Descending").

Hi, Neil!
I'm sending you a link with your interview in the most viewed late night's newscast here in Brazil.

http://jg.globo.com/JGlobo/0,19125,VTJ0-2742-20080704-325022,00.html

The story is more in the likes of "who is this Gaiman guy" than something like "the hows and whys of Neil Gaiman prose", but, you know, not everyone here in Brazil knows who Neil Gaiman is (shamefully, I must say).

Good luck in your panel and signing session today.
Greetings from Rio de Janeiro,

JP Cruz


I like the little shots of me talking to a sunbathing Maddy, where I obviously didn't know I was still being filmed.

Hi, Neil,

Just want to say I loved THE WOLVES IN THE WALLS and most recently, THE DANGEROUS ALPHABET. I was wondering if you have plans to write a picture book more catered to younger children like, say, 5-10 years old, which are less sinister?

Thanks for reading.

Jeremy Cai (from Singapore)


Crazy Hair will be out in 2009. It's a poem, illustrated by Dave McKean, and I think that young children will like it. It's not even slightly sinister, anyway. Well, maybe a bit.

Neil,

I can see that The Complete Death is available for pre-order on amazon.com (and other places) but I cannot discern whether this is an "Absolute Death" style/quality product or whether that is being saved for the future. Can you clarify?

Thanks,

Neil


It's not an "Absolute Death" - it won't be in a slipcase, and while it will be oversized it won't be Absolute sized. But it will be a beautiful book. (The cover up on Amazon is, I am assured, just a placeholder.)

...

There's an "agent" named Barbara Bauer -- she's on the SFWA 20 Worst Agents list -- who has sued people who have pointed out that she's not really an agent-who-sells-books, but is instead an agent-who-makes-her-money-from-ripping-off-would-be-writers. Her suit against Wikipedia has been dismissed Her suit against a number of places and organisations that have warned against her (including the SFWA and the Neilsen Haydens, but not against me) continues.

If you want to donate to the legal fees of the people she's trying to gag:
http://authoradvocatedonations.googlepages.com/home

Hello Neil...I know this is rather random but I just found a copy of Enchanter from Eclipse Comics and I was curious if you would know...What ever happened to Mike Dringenberg? He is still my fav Sandman artist...And his work in Enchanter is amazing...Do you know if he still draws or has a website or...? All I can seem to find is a wikipedia stub...The two of you should definately work on a book together again one day...Thanks...Joe

Mike's still drawing and painting. He has a story in the upcoming Tori Amos Comic Book Tattoo comic, for example, and he did Death on the Sandman 20th Anniversary poster.

...

If you're at Comic-Con this year, on the Thursday night, The San Diego Symphony are doing Video Games Live.

Tickets are available at: http://www.sandiegosymphony.com/summerpops/event.php?id=7
...

There's a new Harvey Pekar comic drawn by Rick Veitch at http://nymag.com/daily/entertainment/2008/07/comics_ndn.html
...

And finally, a small mystery -- according to http://wiedemerwords.blogspot.com/2008/07/more-news-on-age-banding-conflict.html Phillip Pullman and Celia Rees (among others) had a meeting with the UK publishers who want to impose age-banding on books, led by Philippa Dickinson from Random House:

The discussion continued with the publishers' saying that they had had a very supportive response from "most" of their authors, with no problems being expressed. In support of that claim they produced a pile of books with age-banding figures on the covers. We didn't examine them closely, but one of them, as Celia Rees and I agreed afterwards when we were talking about it, was a copy of Neil Gaiman's 'Coraline'. This was a surprise to us, because Neil Gaiman is a signatory to this statement. Philippa Dickinson has since admitted to me that they were American editions, "which all carry age-guidance information".

And I think, they have to be desperate, to try to claim I'm on their side in the UK by finding editions from around the world with age-guidance information on. http://www.notoagebanding.org/

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