I'm still in New Zealand, and life is weird but good.
Amanda and I are raising our small boy, and I love being swept along in his enthusiasms. Zombies was mostly replaced by Star Wars while I was away. Since I've been back, Star Wars has mostly been replaced by Tintin and Dinosaurs and Sea Monsters, and Tintin and Dinosaurs and Sea Monsters appear to be slowly transmuting into Greek Mythology and Asterix and Obelix. This morning he ate breakfast in character as Obelix, complaining about the lack of Roast Boar, and then lecturing me on all the Greek Heroes who battled monsters (his list consisted of Theseus, Perseus and Herakles. He got very excited when I told him about Odysseus.)
Hair prior to recent haircut. I look like a bush.
Hair after haircut. I look less like a bush. Ash and I are poring over The Seven Crystal Balls. Photo by Amanda
I've done one public event since I've been here -- the Auckland Writers Festival. Here's the video of the first event, in which Lucy Lawless interviewed me and Amanda.
I did another talk -- just me -- and a six hour long signing the following day. It was wonderful to meet the people, but I'm definitely out of practice at doing marathon signings. I kept thinking about the nine months I spent on Skye, during which time I probably interacted with a dozen people who were there, and that includes trips to the little shop in Uig and socially distanced walks with archaeologists on the hills. New Zealand has definitely done right by its people, and that just makes the losses around the world even harder.
Amanda's already vaccinated. I'm due to get vaccinated in a couple of weeks.
The Netflix Sandman is taking up a lot of my time right now. (Today I received a first cut of episode 9, and a finished-except for music and VFX cut of episode 4 to watch.)
Here's the Sandman First Look Behind the Scenes release from Netflix.
(I saw an earlier version of this in which I could be seen marvelling at a copy of The Sun newspaper with the headline TUG OF LOVE BABY EATEN BY COWS, because the determination of the team to make it Sandman is astonishing -- to the point where I sent an email to Allan Heinberg, showrunning, last week, while I was watching the Dailies, and I told him of an error I'd spotted. He pointed out right back that the error was in the panel in Sandman 10 they'd used as their reference. I told them not to fix it. That kind of fidelity can only be applauded.)
And in the meantime, all of the writing time, and a lot of the meeting time (because the people I am meeting are in countries on the other side of the world it's either early in my morning or very late at night), has been taken up by two other projects I haven't talked about yet, although they've been 90% of what I've been doing for the last 18 months. But let's leave them for the next blog entry. It'll give me an incentive to write one.
