Last year's social media sabbatical was really pleasant and rewarding, though, and I'm thinking about doing another, longer one, at the end of this year. Which will probably mean I'll return to blogging again then.
I'm writing this from a hotel in Dublin, where I was today receiving the James Joyce Award. Now off to the UK, where I'll be delivering the Douglas Adams memorial lecture, as a benefit for Save the Rhinos. (Almost all tickets are gone. A few VIP tickets are up on ebay.) The Lecture is called Immortality and Douglas Adams. I know that. Now I just have to write it.
A new book is out: it's called Trigger Warning: Short Stories and Disturbances.
I learned when Smoke and Mirrors came out what people say in reviews of short story collections, and learned it again when Fragile Things came out, a decade later. The reviews say "A good collection of stories, let down by (the weak stories) and redeemed by (the strong stories)" But nobody ever seems to agree on what the weak and the strong stories are, so I never feel I have learned very much from the reviews, but am always happy that people found stories that they did like in there.
So that's what most of the reviews say.
Then there's Frank Cottrell Boyce writing in the New Statesman, about Trigger Warning, short stories, what they are and how we read them, and it's an essay I'd love even if I weren't in there:
It is interesting that Saint Columba makes an appearance. Columba began his exile on Iona in penance for his part in the 6th-century Battle of the Book, a conflict that had its origin in his secret copying of Saint Finnian’s psalter: a kind of medieval illegal download. The subsequent ruling – “To every cow its calf, to every book its copy” – marks an important moment in the history of books. Were they beautiful, magical objects, to be carried into battle as charms (as the psalter was)? Or were they a means to disseminate information? Should their magic stay locked inside or should it be shared? Trigger Warning seems to grow out of a similar rift – the alternating currents of struggle and synergy that flow between the page and the electronic media.
I'm pleased that most readers seem to enjoy most of Trigger Warning, especially pleased and relieved that "Black Dog", the second of the American Gods stories of Shadow in the UK, seems to be well-received. I'm nervously caracoling towards the next novel, and suspect I'll start it in a few months, when the current giant jobs are done...
Amanda and I went to Sarasota to see my 97 year old cousin Helen, and seeing we were there and it was Valentine's Day, we did an event at the beautiful historic Tampa Theatre. This, at the end of a VERY long evening, is me singing "I Google You".
And the beautiful P. Craig Russell limited edition print we did for it is up for sale at Neverwear: