I just discovered that Michael Chabon's Yiddish Policemen's Union won the Nebula as Best SF novel of the year. As Maddy would say, Woot!
Congratulations to everyone else who won -- the complete list of winners and nominees is here (and I'm thrilled that Guillermo got the script Nebula for Pan's Labyrinth, just as I'm sorry that Stephen Moffat didn't get it for Blink, and that Gene Wolfe didn't get it for Memorare -- which you can read at http://www.sfsite.com/fsf/fiction/gw01.htm, and which I really, really hope gets the Hugo) (Gene Wolfe has never won a Hugo award. I'm just saying.)
I'm slowly catching up with things I've promised people, one thing at a time. Todd Klein asked if I would do the signed Todd-lettered print after the Alan Moore one, and there was no way I could say no. Then I kept him waiting on tenterhooks until I had an idea, and then I made him tenterhook longer while I worked on it, but eventually I finished something called Before You Read This, which begins
Before you read this familiarise yourselfand goes on from there. I'm looking forward to seeing whether it works when read aloud. Todd's got the work-in-progress version of the print up at
with the text. Note the position of the escape hatches,
the candles that will light in the event of a forced landing
to show you the way out. The author will make an announcement.
Which I mention here as the first printing of the Alan Moore print sold out in three days. (You can get a second printing at http://kleinletters.com/BuyStuffTop.html).
Since you're travelling I'm willing to bet this message will get lost in the shuffle, but here goes.
So I'm reading the excellent "Lonely Werewolf Girl" which I'm loving, more than "Good Fairies of New York" I think, but I have a bone to pick. Once I started keeping track, I've counted six typos in the first 233 pages. Maybe this seems like a small number of typos but I find it five typos too many! Don't people get paid specifically to ensure that doesn't happen?! It's driving me bonkers...
Anyway, not meant to be any slight against this wonderful, whimsical, punk rock, wolfy book, but seriously; what's up with that?
Speaking as someone currently proofreading The Graveyard Book, who is only certain of one thing: that typos will lurk and creep and scuttle on the edges of the text and, despite my best efforts, jump out and wave furiously at everyone as soon as I'm done, all I can do is sympathise. But you know, the magic of the internet is that Martin Millar, author of both the above books, has his own blog. It's at http://martin-millar.blogspot.com/ and he has his own website at http://www.martinmillar.com/, where not only can you ask him what's up with the typos, but if you give him a list of them, he can pass them on to his publishers and then they won't be typos in the next edition. Such is the magic of the internet. (Also, you can buy signed books directly from the author at http://www.lonelywerewolfgirl.co.uk/. Which is very nice of him.)
Dear Mr. Gaiman,
These are some very simple questions: Do you ever listen to music when you work on something or does it distract you? Have you ever been influenced by a song or peice of music to write a scene?
And last but not least: What are you listening to these days?
Thank you much,
Yes, I often write with music on. It doesn't distract me. Anything that makes me more comfortable and keeps me writing is good. And occasionally I'll reread something I've written and know what I was listening to when I wrote it. (I think it's a good bet that Iggy Pop's song Passenger was on repeat a lot when I wrote Sandman 5, for example.) As for what I'm listening to these days, It's mostly up at http://www.last.fm/user/neilhimself/. Here are a couple of Last.fm widgets that might or might not work -- one of songs that seem to have been played more than other songs in the last month, and the other the Last.Fm "My Radio Station", of songs it knows I enjoy...