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Wednesday, April 02, 2014

House thoughts, and some unanswered questions on art and commerce

It's a very strange process, moving into a new house. In my case, the worst of the moving in has been done. Now all that remains is details, hundreds upon hundreds of details. Details and details and details and, occasionally, small disasters. Yesterday, the heating stopped working. The heating stopped working because there was two inches of water in the cellar, because a water treatment pump could not keep up with the combination of rain and snowmelt that was already filling all the drains, and so backed up. I have good friends and they made everything okay, with pumps and knowledge of fixing things.

(I do not really have a lot of fixing things knowledge. And while you may want to read a book by me, you do not want me to put up your shelves. Trust me on this.)

I went into New York overnight, finished writing a very much overdue introduction in my hotel room, emailed it off moments before I fell asleep, had a Really Cool Secret Meeting this morning, and am typing this on the train back, the Hudson river grey and, on the far bank, distant leafless hills and cliffs. I want Spring to begin.

I'm currently pondering whether or not to write a short story for a company. They've asked me to write one. I can write whatever I like, as long as I put their product in it and do not show their product killing people horribly, or even nicely. It would be a fun, interesting project that would pay well.  To make things more interesting, I've already mentioned their product in a novel, I like their product, and I can see where the story would go.

But I'm not sure. I'm going back and forth on it.

I loved doing last year's project for BlackBerry, mostly because it felt like they were a patron of the arts. They gave me a very open brief ("What would you like to do on social media?") and let me go off and do it. They gave me a BlackBerry, and I promised I'd use it for a year. They made short films which I loved, about writing and inspiration and creation.

(And I just noticed that the BlackBerry Keep Moving videos have become unlisted on YouTube, so here they all are, in case anyone needs them. The fourth is my favourite.)



(As a note here: when the year was up, I wanted to stay with BlackBerry as a phone platform. I really liked it, and kept finding myself frustrated when I'd use iPhones or Android phones, but I was grumpy about the lack of apps. They gave me a Z30. It's a wonderful phone (here's the USA Today write up.) But y'know, like they said in the USA Today review, no Yelp and no Netflix.

But then, a couple of weeks after I got the Z30, they released the latest operating system, 10.2.1, which also now natively runs Android apps. I archived on my old Android phone any Android apps I wanted on the Z30, bluetoothed them over to the BlackBerry, installed them, and now use Yelp and Netflix and Audible and such on the BlackBerry with abandon.)

But the BlackBerry project, while it was done for and with the assistance of BlackBerry, never meant I had to put a BlackBerry into a story. Which made me happy. Now I'm trying to figure out why that would have felt like crossing a line in the way that the Nokia phone (which, if I were writing it today, would be an iPhone) in the first chapter of American Gods does not. And what that line is. And why it troubles me.

...

Getting ready for the Art Speigelman conversation at Bard on Friday. We plan to talk a whole lot.

The Symphony Space "Selected Shorts" night on May 7th has now sold out. The only other event I'll be doing in New York this year is the Big One -- the Carnegie Hall event on June 27th. (You do not want to miss this: it's the same thing that sold out Sydney Opera House, with FourPlay String Quartet and me).

Which reminds me. One final TRUTH IS A CAVE.. night has been added to the world. Edinburgh, Sunday July 6th. As they say on their website:

Created for Sydney's renowned Graphic festival, this haunting tale of adventure, revenge and treasure, told as a hybrid between a storyteller, an artists and an Australian string quartet is playing five performances only - Carnegie Hall in New York, the Warfield in San Francisco, two sold-out shows at London's Barbican, all leading up to this very special night at Usher Hall.

Here's the Usher Hall tickets link.


Ayelet Waldman asked me if I could mention that she has a new book out, and I will, and not just because I have not yet written my speech for her daughter Rosie's Bat-Mitzvah: It is called Love and Treasure. That's the Amazon link, and here's the Indiebound.

...

oops. This sat on my computer for 36 hours. In the meantime, Spring has definitely sprung. Deer are frisking through the woods and platoons of wild turkeys are self-importantly strutwaddling up and down the drive. I hope Spring heard me grumbling, and decided it was time to turn up.




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