1) Peter and the Wolf was wonderful. No, it wasn't recorded/videoed. I'd love to do it for posterity with Gary Fagin (my cousin! His grandmother and my great-grandfather were brother and sister) and the Knickerbocker Orchestra, if a way can be figured out to make it happen.
2) I went to the Golden Globes for Coraline. We lost. But we lost to Up! so no surprise there. Amanda, who was with me, wore a classic 1920s beaded dress with very little underneath it, and nobody noticed me at all. The Golden Globes were interesting. The strangest moment was as we were leaving the NBC party, the photographers grumbled that they hadn't got any photos of us going in, so we agreed to pose for them... and when they complained that Amanda was no longer wearing the amazing beaded dress she'd worn on the Red Carpet, she changed back into it for them (with me holding up a jacket as a makeshift changing area -- the area was deserted but for photographers). They took photographs. (When shot with a flash the dress looks a lot more naked than it did when I was standing next to her.) My favourite bit was that when the photos appeared Amanda was named and I was listed as "and guest".
My favourite afterparty moments: talking to Robert Downey Jr about the Baker Street Irregulars (he hopes to attend the Dinner next year, and I am an invested Irregular), and watching Steve Merchant and Amanda trying to figure out where they know each other from (she'd been on his Radio 6 show). I mistook some Hollywood Power Broker for a producer I know and was in my turn told how much someone had loved my performance in a movie I wasn't actually in. So it goes.
(I've hung onto the envelope with the Golden Globes and afterparty invitations and such in, and I'll donate it to be auctioned for Haiti.)
3) The New Yorker profile is out. It's pretty good actually, although given the amount of time I was on the phone with the New York Times Fact Checker for, I'm surprised at the number of things Dana still got a little bit wrong (from the Golden Age Sandman "killing" people with his gas gun on up, or down). I found myself feeling protective of the readers, and was disappointed that there wasn't actually more about the stories in there: the huge signings and bloggings and book-sales numbers such are a tiny by-product of the stories, and, for me, not the most interesting bit (it would be like seeing someone describing a classical concert: the funny man with the stick waving it around at the front, and all the people in their best clothes sitting patiently while other people blow or pluck or scrape or bang at things on the stage, which all seems a bit peculiar if you aren't talking about the music). Glad it's done, though.
Dana and I are doing an online chat/ Q&A about it tomorrow at 3.00pm EST, and you can ask us questions about the article there: http://www.newyorker.com/online/blogs/ask/2010/01/questions-for-goodyear.html
4) Over on eBay Dave McKean is auctioning a drawing from The Graveyard Book for the Haitian Health Foundation. He has no plans to sell any of the other Graveyard Book drawings -- this is the only one he's offered for sale. The link is here. The auction has three days to go.
5) Thank you all for your congratulations. I'm still grinning...
6) Eddie Campbell's ALEC "THE YEARS HAVE PANTS" is now out from Top Shelf. You need this book. Honest you do.
Labels: Eddie Campbell, golden globes, Haiti, new yorker, nudity, Peter and the Wolf, thank you so much